PhD & MLitt students in Art History, and Cultural Policy & Arts Management
| Current research postgraduates | Working Title | Supervisor | Student Profile |
|---|---|---|---|
| Michael Ann Bevivino | Breaking the mould: Ireland’s replicas of cultural objects from the historic to the digital |
Prof. Lynda Mulvin |
Profile Page |
| Frances Coulter | Titian’s 11 Roman Emperors and the Gabinetto di Cesari, Ducal Palace, Mantua: their composition, iconography and influence in European Art |
Assoc. Prof. Philip Cottrell | |
| Deirdre Cullen | The Long Gallery at Castletown: a rare example of the neoclassical taste for painted rooms all’antica and an expression of the intellectual and cultural worlds of Ireland’s eighteenth-century elite. |
Assoc. Prof. Conor Lucey | Profile Page |
| Susan Curley Meyer | The Visual and Material Culture of Dublin Street Trading in the Long Nineteenth Century |
Assoc. Prof. Emily Mark-FitzGerald | Profile Page |
| Prolet Decheva | Personifications of abstract ideas in Late Antique and Middle Byzantine Art |
Dr Sean Leatherbury | Profile Page |
| Suzanne Freeman | Creativity in Museum Practice; Examining the role of Creativity in the Practical Treatment, UCD and Presentation of Cultural Materials and Artefacts in Museum Exhibition |
Assoc. Prof. Emily Mark-FitzGerald & Dr Lisa Godson | |
| Jan Frohburg | "Radical and conservative at once".Spatial Expressions of Modernity in the work of Mies van der Rohe |
Prof. Kathleen James-Chakraborty | |
| Rachel Healy | Portraits of Giorgio Cornaro and his Heirs: Resolving issues of Identity, Authorship and Patronage in Renaissance Venice and Beyond |
Assoc. Prof. Philip Cottrell | Profile Page |
| Sandra Heise | Art Ó Murnaghan and ‘Leabhar na hAiséirghe’ / ‘The Book of the Resurrection’: an un-sung artist and the National Memorial |
Prof. Kathleen James-Chakraborty | |
| Nokubekezela Mchunu | Relative Modernisms: The Designed Domestic Lives of the Mid-Century African Upper Classes |
Prof. Kathleen James-Chakraborty | Profile Page |
| Susan Mihalik | Changing discourses of social justice: interpretations of equity in local arts administration |
Dr Victoria Durrer | Profile Page |
| Séamus Nolan | Modalities of participation and spectatorship: a practice based enquiry into discourses and methodologies of participation and spectatorship in contemporary visual art museums. |
Dr Róisín Kennedy & Dr Lisa Godson | |
| Pooja Sastry | Fables & Freedoms: The Shaping of the Built Environment by Women |
Prof. Kathleen James-Chakraborty | |
| Mark Tully | Parrasio Micheli and painting in sixteenth-century Venice: Reconsidering a Lost Reputation | Assoc. Prof. Philip Cottrell | Profile Page |
Recent Conferred Postgraduates
| Year | Name | Title |
|---|---|---|
| 2023 | 'Celebrated Beauties’:Dialogues, Duty and Display in Ascendancy Ireland, 1720-1790 | |
| 2023 | The Reshaping of Hong Kong Culture after 1997: Constructing the West Kowloon Cultural District | |
| 2023 | Islamabad: What’s in a Name? | |
| 2022 | Institutionalising Modern Consumption: Market Buildings and Department Stores in Chinese Cities, 1930s-1950s | |
| 2021 | Spaces of Production: an architectural and urban history of the nineteenth-century brewery in Ireland | |
| 2020 | David Teevan, PhD |
Encounter, collaboration and negotiation:the importance of co-creation in the ecology of participatory arts in Ireland |
| 2020 | Anne Cormican, PhD | A 'Painter of Modern Life': William Orpen (1878-1931) |
| 2018 | Sadegh Panahiazar, PhD | Sacred Light in Sacred Architecture, 17th century and now: San Lorenzo Church, Sheikh Lotf Allah Mosque and BZM Congregational Mosque |
| 2017 | Susan Barry, PhD | Buffalo's Gilded Age: a story of architecture and landscape design |
| 2016 | Edith Andrees, PhD | Museums, Migration and Cultural Diversity: Narratives and practices in Ireland and Germany |
| 2016 | Jessica Fahy, MLitt | 'Catching the Female Gaze': Representations of male religious figures and the female viewer in Renaissance art |
| 2016 | Eivlin Roden, PhD | John Michael Wright (1617-1694): a singular Stuart painter |
| 2015 | Sarah Wilson, PhD | Foreign Cults in Rome and their Origins: Questioning the Non-Roman Identification of Magna Mater, Palmyreen Deities and Sol |
| 2015 | Silvia Guglielmini, PhD | Arts Festivals in Tourism, Tourism in Arts Festivals |
| 2015 | Sabrina Wilk, PhD | Foreseeing and Transmitting Arcadia: Perspective visualisation in landscape architectural design |
| 2015 | Peter Shortt, PhD | A History of the Rosc Exhibitions 1967 to 1988, their Confrontations and Influences |
| 2014 | Jacqueline Hayes, PhD | The Role of Sculpture in the Victorian Garden Cemeteries of Glasnevin and Mount Jerome (1832-1916) and the Significance of Politically Inspired Monuments |
| 2014 | Jennifer Goff, PhD | The Eileen Gray Collection at the National Museum of Ireland |
| 2014 | Louis W. Funder, PhD | Reconstructing a Region – Rioja and its Wineries |
| 2014 | Corinna Ricasoli, PhD | Non Omnis Moriar: Artists' Funerary Monuments in Baroque Rome |
| 2013 | Louise Kelly, PhD | Pieter Codde Reconsidered: His Life and Works (1599-1678) |
| 2013 | Sadegh Panahi, MLitt | Holy Light in Iranian Sacred Architecture |
| 2013 | Ruth Musielak, PhD | Water sources: Improvement in the Irish and English designed landscape, 1660-1800 |
| 2012 | Medb Ruane, PhD | Seeing, Reading, Writing: a psychoanalytic interpretation of Louis le Brocquy’s Táin |
| 2011 | Kate Antosik Parsons, PhD | Remembering & Forgetting: Memory & Gender in Irish time-based art |
| 2011 | Anna Kadzik-Bartoszewska, PhD | Egyptian archaeological textiles from 3rd to 11th century CE – in the collection of the National Museum of Ireland |
| 2011 | Audrey Nicholls, PhD | Temptation and Transgression: Images of Christ and the Adulteress, and of Adulteress, and of Susanna and the Elders, in Renaissance Venice |
| 2010 | Sheila Dickinson, PhD | Gender and Art Practice in Contemporary Irish Art: an in depth study of the work of Alice Maher, Dorothy Cross and Kathy Prendergast |
| 2010 | Vera Murtagh, MLitt | Andrew Nicholl: Artist, Teacher and Traveller |
| 2009 | Conor Lucey, PhD | ‘Made in the new Taste’: domestic neoclassicism and the Dublin building industry, 1765-1801 |
| 2009 | Emily Mark-FitzGerald, PhD | Memorials and Monuments to the Irish Famine: Commemorative Art and History |
| 2008 | Eimear O'Connor, PhD | Sean Keating 1889-1977 – New Perspectives |
| 2008 | Anne-Marie Keaveney, MLitt | Daniel O’Neill 1920-1974 |
| 2007 | Angela Cowhey, PhD | Dublin Cabinetmakers and their Clientele in the period 1880-1841 |
| 2007 | Sarah Drumm, MLitt | 'None but persons of fashion need apply': Dublin Townhouses of the Irish MPs 1750-1800 |
| 2007 | Ruth Sheehy, MLitt | “O’ Lord, I love the habitation of thy house and the place where thy glory dwells” The Religious Art of Richard King in Ireland: 1933-73 |
| 2006 | Nesta Butler, PhD | William Baillie (1728-1810): Printmaker, connoisseur and dealer |
| 2006 | Mary Clark, PhD | The Dublin Civic Portrait Collection: Patronage, Politics and patriotism, 1548-2000 |
| 2006 | Róisín Kennedy, PhD | Politics of Vision: Critical Writing on Art in Ireland, 1939–1972 |
| 2006 | Mary Frances Patton, MLitt | The Religious Stained Glass Windows of Evie Hone |