MODULE CODE: ENG20630
MODULE TITLE: Reading Irish Literature in English
YEAR: 2016-17
SEMESTER: 2
MODULE COORDINATOR: Professor Anne Fogarty
CONTACT DETAILS: anne.fogarty@ucd.ie
For an overview of this module click here: http://www.ucd.ie/modules/ENG20630
This module will examine multiple representations of Irish political, national and cultural identity from the nineteenth century to the contemporary period. It will consider how key myths of national identity were formulated, debated, replicated and ousted by successive generations of Irish writers. The foundational role played by Augusta Gregory, W. B. Yeats, and J. M. Synge in the Irish Literary Revival will be considered and the ambiguous but potent symbolism of their writing for the stage will be investigated. James Joyce’s Dubliners will be examined both as a counter-blast to the Revival and a searing modernist rendering of Dublin and its inhabitants. Yeats’s predominance as cultural spokesperson and especially as poet will be reviewed. His complex reflections on the matter of Ireland in his poetry and the problematic of the modern subject with her uncontainable desires will be scrutinised. The degree to which the playwrights, Sean O’Casey, Brian Friel and Marina Carr, deconstruct but also continue the conventions of Irish theatre will in turn be examined. Contemporary literature will be viewed through the lens of the poetry of Seamus Heaney and Paula Meehan and the global fictions of Colm Tóibín and Anne Enright. The problematisation of home, the feminine and the local, the unravelling of fixities surrounding gendered and sexual identity, and the prominence of tropes of loss, estrangement and displacement in the poetry and fiction of these writers will be reflected upon. Postcolonial, cultural materialist and feminist theory will be drawn upon to ground debates and analysis of the texts on this course.
Primary Texts (subject to change):
- Enright, Anne. The Gathering (Vintage, 2008).
- Joyce, James. Dubliners. Introduction, Terence Brown (1914; London: Penguin, 2000).
- Harrington, John P., ed. Modern and Contemporary Irish Drama (New York: Norton, 2006).
- Heaney, Seamus. New Selected Poems: 1988-2013 (London: Faber and Faber, 2015).
- Meehan, Paula. Mysteries of the Home (Dublin: Dedalus Press, 2013).
- Tóibín, Colm. Brooklyn (2010; London: Penguin, 2015).
- Yeats, W. B. Selected Poems. Ed. Timothy Webb (London: Penguin, 2000).
Suggested Further Reading:
- Bartlett, Thomas. Ireland: A History. Cambridge: Cambridge UP, 2011.
- Bracken, Claire. Irish Feminist Futures. London: Routledge, 2016.
- Deane, Seamus. Strange Country: Modernity and Nationhood in Irish Writing Since 1790. Oxford: Oxford UP, 1998.
- Flannery, Eóin. Ireland and Postcolonial Studies: Theory, Discourse, Utopia. London: Palgrave Macmillan, 2009.
- Foster, R.F, ed. The Oxford History of Ireland. Oxford: Oxford University Press, 2001.
- Kiberd, Declan. Inventing Ireland: The Literature of a Modern Nation. London: Vintage, 1996.
- Murray, Christopher. Twentieth Century Irish Drama: Mirror up to Nation. Manchester: Manchester University Press, 1997.
- O’Brien, Edna. Mother Ireland. London: Penguin, 1978.
- ---. The Love Object: Selected Stories. London: Faber and Faber, 2014.
(Students are advised that information provided here can be subject to change)