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Curricular information is subject to change
Students should be able to:
• distinguish between styles of different movements and periods;
• discuss issues of musical style and design as they relate to broader cultural developments;
• demonstrate critical reading of key writings in music history relating to music since 1750;
• write cogently about one or more key issues relating to music history since 1750.
Key periods and movements in music history: classicism, romanticism, modernism, post-modernism
Music history as considered from different perspectives: composition, performance, listening, culture more generally
Key issues in music history: the nature of (art) music, nationalism, exoticism, race, gender, the relationship of music to other art-forms (such as literature)
Consideration of what it means to study music history more generally
Student Effort Type | Hours |
---|---|
Lectures | 24 |
Autonomous Student Learning | 76 |
Total | 100 |
Not applicable to this module.
Description | Timing | Component Scale | % of Final Grade | ||
---|---|---|---|---|---|
Journal: Learning journal to be completed throughout the trimester and submitted in week 12 | Throughout the Trimester | n/a | Standard conversion grade scale 40% | No | 30 |
Examination: MCQ examination on works and readings studied in weeks 1-6 | Week 7 | No | Standard conversion grade scale 40% | No | 20 |
Essay: Essay (2000 words) engaging with one or more key issues relating to the music history of this period | Week 10 | n/a | Standard conversion grade scale 40% | No | 30 |
Examination: MCQ examination on works and readings studied in weeks 7-11 | Week 12 | No | Standard conversion grade scale 40% | No | 20 |
Resit In | Terminal Exam |
---|---|
Autumn | No |
• Feedback individually to students, on an activity or draft prior to summative assessment
• Feedback individually to students, post-assessment
• Group/class feedback, post-assessment
• Peer review activities
Not yet recorded.