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Harry White

Full Professor of Music

School Of Music
Newman Building
Belfield
Dublin 4

Tel: +353 1 7168422
Email: harry.white@ucd.ie

Biography

Professor Harry White, DMUS (NUI) PHD (DUBL) MA (TORONTO) FRIAM MRIA
Chair of Music, University College Dublin

Harry White has been Professor of Music at UCD since 1993. He was educated at UCD, the University of Toronto and the University of Dublin (Trinity College). He has held visiting professorships of musicology in Canada, Croatia, Germany and the United Kingdom, and was awarded a Government of Ireland Senior Research Fellowship in 2005.  From 2003-6 he was inaugural President of the Society for Musicology in Ireland, and in the latter year he was elected to the Royal Irish Academy. He is an honorary Fellow of the Royal Irish Academy of Music and of the Academy of St Cecilia (London), and he is an honorary member of the Croatian Musicological Society. He was awarded the Harrison medal of the Society for Musicology in Ireland in 2014. In 2015 he was elected a member of the Academia Europaea. 

He is perhaps best known for his work on the cultural history of music in Ireland, on which subject he has published three monographs: The Keeper's Recital (1998),The Progress of Music in Ireland (2005) and Music and the Irish Literary Imagination (2008). He is general editor (with Barra Boydell) of The Encyclopaedia of Music in Ireland (2013). 

 He has served as advisory or contributing editor to many publications, including The New Grove Dictionary of Music and Musicians (London), Current Musicology (New York), the Journal of the Royal Musical Association (London), the International Review of the Aesthetics and Sociology of Music (Zagreb), the Canadian Journal of Irish Studies (Montreal) and the Journal of the Society for Musicology in Ireland (online). He has been general editor (with Gerard Gillen) of Irish Musical Studies (Dublin) since 1990. 

  

Professional

Honours and Awards

Year: 2014.
Title: Harrison Medal, Society for Musicology in Ireland
Year: 2012.
Title: Honorary Member of the Croatian Musicological Society
Year: 2007.
Title: Honorary Fellow of the Royal Irish Academy of Music (FRIAM)
Year: 2009.
Title: Michael J. Durkan Prize from the American Conference for Irish Studies, 2009
Year: 1983.
Title: Elected to Junior Fellowship, Massey College, University of Toronto
Year: 1984.
Title: University of Toronto Gold Medal for Poetry
Year: 1990.
Title: Grants in aid of publication from the Senate of the National University of Ireland
Year: 1999.
Title: DAAD Senior Research Fellowship (Germany)
Year: 2005.
Title: Government of Ireland Senior Research Fellowship in the Humanities and Social Sciences
Year: 2006.
Title: Elected to the Royal Irish Academy (MRIA)

Associations

Association: Irish University Review, Function/Role: Executive Board member.
Association: Irish Musical Studies, Function/Role: 1990-General Editor.
Association: Répertoire International des Sources Musicales, Function/Role: 1992-Chair, Irish Committee.
Association: The New Grove Dictionary of Music and Musicians (London: Macmillan, 2001), Function/Role: 1994-2001 National Advisory Editor.
Association: Current Musicology (New York), Function/Role: 1995-Foreign Corresponding Editor
Association: Johann Joseph Fux Gesamtausgabe (Graz), Function/Role: 1995-Editorial Board member
Association: Encyclopaedia of Ireland, ed. Brian Lalor (Macmillan: 2003), Function/Role: 1999- Editorial Consultant (Music)
Association: International Review of the Aesthetics and Sociology of Music (Zagreb), Function/Role: 2001 - Editorial Board member.
Association: Society for Musicology in Ireland (Dublin), Function/Role: 2003-2006 President
Association: Encyclopedia of Music in Ireland, Function/Role: 2003- Joint General Editor
         

Employment

Employer: St. Patrick's College, Maynooth
Position: Part-time lecturer
Employer: University College Dublin
Position: Temporary Assistant Lecturer
Employer: University College Dublin
Position: College Lecturer
Employer: University College Dublin
Position: Professor
Employer: University of Western Ontario
Position: Professor of Musicology
Employer: Ludwig-Maximilians-Universitat, Munich
Position: Professor of Musicology

Education

Year 1980 Institution: University College Dublin
Qualification: BMus Subject:
Year 1986 Institution: Trinity College Dublin
Qualification: PhD Subject:
Year 1982 Institution: University of Toronto, ON
Qualification: MA Subject:
Year 1981 Institution: University College Dublin
Qualification: MA Subject:
         

Publications

Books

Harry White (2016) Johann Joseph Fux and the Music of the Austro-Italian Baroque. London and New York: Routledge. [Details]
White, Harry; Boydell, Barra (2013) The Encyclopaedia of Music in Ireland. Dublin: UCD Press. [Details]
Harry White (2012) Polite Forms. Dublin: Carysfort Press. [Details]
Harry White, Vjera Katalinic, Stanislav Tuksar (2011) Musical Theatre as High Culture. Zagreb: Croatian Musicological Society. [Details]
Ivano Cavallini and Harry White (eds); (2010) Musicology without Frontiers. Essays in Honour of Stanislav Tuksar. Zagreb: Croatian Musicological Society. [Details]
Harry White; (2008) Music and the Irish Literary Imagination. Oxford: Oxford University Press. [Details]
Harry White; (2005) The Progress of Music in Ireland. Dublin: Four Courts Press. [Details]
Harry White, edited with Michael Murphy; (2001) Musical Constructions of Nationalism: Essays on the History and Ideology of European Musical Culture, 1800-1940. Cork: Cork University Press. [Details]
Harry White; (1998) The Keeper's Recital: Music and Cultural History in Ireland, 1770-1970. Cork: Cork University Press and Indiana: University of Notre Dame Press. [Details]
Harry White, edited with Patrick F. Devine; (1996) The Maynooth International Musicological Conference 1995: Selected Proceedings Parts One and Two. Irish Musical Studies Vols. 4 and 5. Dublin: Four Courts Press. [Details]
Harry White, edited with Gerard Gillen; (1995) Music and Irish Cultural History. Irish Musical Studies, Vol. 3. Dublin: Irish Academic Press. [Details]
Harry White, edited with Gerard Gilen; (1993) Music and the Church. Irish Musical Studies, Vol. 2. Dublin: Irish Academic Press. [Details]
Harry White; (1992) Johann Joseph Fux and the Music of the Austro-Italian Baroque. Aldershot: Scolar Press. [Details]
Harry White, editor; (1991) Johann Joseph Fux: Il Trionfo Della Fede. Graz: Akademische Druck und Verlagsanstalt. [Details]
Harry White, edited with Gerard Gillen; (1990) Musicology in Ireland. Irish Musical Studies, Vol. 1. Dublin: Irish Academic Press. [Details]

Book Chapters

Harry White (2016) ''The Lyre of Apollo: Thomas Moore and the Irish Harp'' In: Sandra Joyce and Helen Lawlor (eds). Harp Studies. Dublin: Four Courts Press. , pp.90-104 [Details]
Harry White (2016) ''The English Resistance to Opera'' In: Stanislav Tuksar (eds). Ivan Zajc (1832-1914). Musical Migrations and Cultural Transfers. Zagreb: Croatian Musicological Society. , pp.175-184 [Details]
Harry White (2016) '' Attending His Majesty's State in Ireland: English, German and Italian Musicians in Dublin, 1700-1762'' In: Jolanta Guzy-Pasiak and Aneta Markuszewska (eds). Music Migration in the EArly Modern Age. Warsaw: Argraf. , pp.53-64 [Details]
Harry White (2017) ''The Imagined Unities of Thomas Moore'' In: Brian Caraher and Sarah McCleave (eds). Thomas Moore and Romantic Inspiration. London and New York: Routledge. , pp.31-42 [Details]
White, Harry (2016) ''Citation, Narrative and Meaning: Woody Allen and the Late Schubert'' In: Lorraine Byrne Bodley and Julian Horton (eds). Schubert's Late Music. Cambridge: Cambridge University Press. [Details]
White, Harry (2016) 'Courtyards in Delft' In: Margaret Kelleher and Michael Kenneally (eds). Ireland and Quebec. Dublin: Four Courts Press. [Details]
Harry White (2015) 'The Apparitions of Orpheus; Music and Musicology at UCD' In: Wolfgang Mar (eds). 100 Years of Music at UCD 1914-2014. Dublin: UCD School of Music. , pp.6-18 [Details]
Harry White (2015) 'The Imperium of Music' In: Anne Fogarty and Fran O'Rourke (eds). Voices on Joyce. Dublin: UCD Press. , pp.107-118 [Details]
White, Harry (2014) 'The Invention of Irish Music: Remembering Grattan Flood' In: Vjera Katalinic and Stanislav Tuksar (eds). Franjo Ksaver Kuhac 91834-1911). Musical Historiography and Identity. Zagreb: Croatian Musicological Society. , pp.207-215 [Details]
White, Harry (2014) 'Johann Joseph Fux and the Concept of an Austro-Italian Baroque' In: Gesa zur Nieden, Anne-Madeleine Goulet (eds). Europäische Musiker in Venedig, Rom und Neapel 1650-1750. Kassel: Baerenreiter. [Details]
White, Harry (2014) 'The Invention of Ethnicity: Traditional Music and the Modulations of Irish Culture' In: Mark Fitzgerald John O'Flynn (eds). Music and Identity in Ireland and Beyond. Farnham, Surrey: Ashgate. , pp.373-385 [Details]
White, Harry (2013) ''Johann Joseph Fux and the Discourse of Musical Servitude'' In: Tassilo Erhardt (eds). Sakralmusik im Habsburgerreich. Vienna: Austrian Academy of Sciences and Arts. , pp.11-24 [Details]
Harry White (2012) ''Operas of the Irish Mind: Cultural Theory, and the Question of Irishness in Irish Opera'' In: Harry White, Vjera Katalinic, Stanislav Tuksar (eds). Musical Theatre as High Culture?. Zagreb: Croatian Musicological Society. , pp.9-24 [Details]
Harry White (2012) ''Synge, Music and Edwardian Dublin'' In: Brian Cliff and Nicholas Grene (eds). Synge and Edwardian Ireland. Oxford: Oxford University Press. , pp.84-101 [Details]
Harry White; (2011) 'Wien. Kirchenmusik am kaiserlichen Hof im 17. und 18. Jahrhundert' In: Matthias Schneider and Beate Bugenhagen (eds). Zentren der Kirchenmusik [Enzyklopaedie der Kirchenmusik, Vol 2]. Laaber: Laaber Verlag. , pp.287-315 [Details]
Harry White; (2010) 'The Musical Afterlives of Thomas Moore' In: Harry White; (eds). Musicology without Frontiers. Essays in Honour of Stanislav Tuksar. Zagreb: Croatian Musicological Society. , pp.175-188 [Details]
Harry White; (2010) 'A Better form of Drama: Tom Murphy and the Claims of Music' In: Christopher Murray (eds). Alive in Time: The Enduring Drama of Tom Murphy. New Essays. Dublin: Carysfort Press. , pp.77-87 [Details]
Harry White; (2009) 'O Riada, Sean, Moore, Thomas, Carolan, Turlough, Bunting, Edward' In: James Maguire et al (eds). The Dictionary of Irish Biography. Cambridge: ~Cambridge University Press. [Details]
Prof White, H.; (2007) 'Cultural Theory, Nostalgia and the Historical Record: Opera in Ireland and the Irishness of Opera during the Nineteenth Century'' In: by Michael Murphy and Jan Smaczny (eds). in Music in Nineteenth Century Ireland. Dublin, Ireland: Four Courts Press. , pp.15-35 [Details]
Prof White, H.; (2005) 'The Sovereign Ghosts of Thomas Moore' In: Martin Fanning and Raymond Gillespie (eds). Print Culture and Intellectual Life in Ireland, 1660-1941. Essays in Honour of Michael Adams. Dublin, Ireland: Woodfield Press. , pp.164-185 [Details]
White, H.; (2005) 'Aidan Carl Mathews' In: Anthony Roche (eds). The UCD Aesthetic. Dublin: New Island Press. , pp.239-245 [Details]
White, H.; (2005) 'Musicology' In: Margaret Kelleher and Laurence Geary (eds). Nineteenth Century Ireland. A Guide to Recent Research. Dublin: UCD Press. , pp.161-181 [Details]
White, H.,; (2004) 'The Afterlife of a Tradition: Fux, Vienna and the Classical Style' In: V. Katalinic and S. Tuksar (eds). Musical Cultures in the Adriatic Region During the Age of Classicism. Zagreb: Croatian Musicolgoical Society. , pp.23-32 [Details]
White, H.,; (2004) 'Foreword' In: Robin Elliott and Siobhan Donovan (eds). Music and Literature in German Romanticism. Dublin: Camden House. , pp.ix-x [Details]
White, H.,; (2004) 'Johann Joseph Fux and the Question of Einbau Technique' In: Anne Leahy and Yo Tomita (eds). Bach Studies from Dublin. DUblin: Four Courts Press. , pp.29-49 [Details]
White, H.; (2003) 'The Divided Imagination: Music in Ireland After ORiada' In: in Gareth Cox and Axel Klein (eds.) (Irish Musical Studies, vol. 7) (Dublin: Four Courts Press, 2003) (eds). Irish Music in the Twentieth Century. , pp.11-28 [Details]
White, H.; (2003) 'Afterword' In: in Lorraine Byrne and Dan Farrelly, eds. (eds). Goethe and Schubert. Across the Divide (Dublin: Carysfort Press, 2003). , pp.234-236 [Details]
White, H.; (2003) 'I am the very model of a modern musicologist: The Savoy Operas and British Cultural History' In: Vjera Katalinic and Stanislav Tuksar, eds. (eds). Mladi Zajc/Young Zajc (Rijeka: 2003),(in Croatian); pp.193-201 (in English). , pp.85-93 [Details]
White, H.; (2003) 'Our Musical State Became Refined: The Musicology of Brian Boydell' In: in Gareth Cox, Axel Klein and Michael Taylor (eds.) (eds). The Life and Music of Brian Boydell (Dublin: Irish Academic Press, 2003). , pp.45-62 [Details]
White, H.; (2002) 'De Stylo Ecclesiastico: Sacred Music at the Imperial Court Chapel in Vienna c.1700-1730 and the Influence of Northern Italy' In: in A Colzani, A Luppi and M. Padoan, eds. (eds). Barocco Padano, Atti del X Convegno Internazionale sulla Musica Sacra nei Secoli XVII-XVIII (Como: Antiquae Musicae Italicae Studiosi, 2002). , pp.265-283 [Details]
White, H.; (2001) ''Nationalism, Colonialism and the Cultural Stasis of Music in Ireland'' In: in Harry White and Michael Murphy (eds.), (Cork: Cork University Press, 2001) (eds). Musical Constructions of Nationalism. Essays on the History and Ideology of European Musical Culture 1800-1945. , pp.257-272 [Details]
White, H.; (2001) ''Music and Cultural History in Ireland'' In: * (eds). Historièni Seminar 1998-2000 (Ljubliana: Slovenian Academy for Arts and Sciences, 2001), ed. Metoda Kokole. , pp.187-204 [Details]
White, H.-[with David Scott]; (2001) ''Harrison, Francis Llewelyn'' In: in Stanley Sadie, ed., (London: Macmillan, 2001), vol. 11, pp (eds). The New Grove Dictionary of Music and Musicians. , pp.611-612 [Details]
White, H.; (2001) ''Ó Riada, Seán', in' In: Stanley Sadie, ed., (London: Macmillan, 2001), vol. 18 (eds). The New Grove Dictionary of Music and Musicians. , pp.698-699 [Details]
White, H.; (2001) ''Bewerunge, Heinrich'; 'Deane, Raymond'; 'Larchet, John Francis';' In: in Stanley Sadie, ed., The (London: Macmillan, 2001), vol. 3, pp.498-499; vol. 7, pp.90-91; vol.14, p.271 (eds). New Grove Dictionary of Music and Musicians. [Details]
White, H.; (2001) ''Ireland (1)'' In: Stanley Sadie, ed., (London: Macmillan, 2001), vol.12 (eds). The New Grove Dictionary of Music and Musicians. , pp.556-560 [Details]
White, H.; (2001) ''Fux, Johann Joseph'' In: Stanley Sadie, ed., (London: Macmillan, 2001), vol. 9, [with work-list by Thomas Hochradner] (eds). New Grove Dictionary of Music and Musicians. , pp.365-375 [Details]
White, H.; (2000) ''Polite Forms'' In: ed. Ruth Fleischmann (Cork: Mercier, 2000) (eds). Aloys Fleischmann,A Musician Remembered. , pp.262-266 [Details]
White, H.; (2000) ''Bunting, Edward'' In: in (Baereneiter: Kassel, 2000) (eds). Die Musik in Geschichte und Gegenwart [Personenteil]. [Details]
White, H.; (1999) ''Fux, Johann Joseph'' In: in Malcolm Boyd, ed., (Oxford: Oxford University Press, 1999) (eds). The Bach Companion. , pp.184-185 [Details]
White, H.; (1999) ''Et in Arcadia Ego: Fux and the Viennese Sepolcro', in' In: A. Luppi, ed. (eds). Atti del Antiquae Musicae Italicae Studiosi (Como, 1999). , pp.213-228 [Details]
White, H.; (1998) ''Something is Taking its Course: Dramatic Exactitude and the Paradigm of Serialism in Samuel Beckett'' In: Mary Bryden (eds). Samuel Beckett and Music. Oxford: Oxford University Press. , pp.159-171 [Details]
White, H.; (1998) ''Musical Institutions and Venues, 1700-1990'; 'Opera'; 'Ballads'; 'Popular Music'; 'Ethnic Music'; 'Belfast Harp Festival'; 'Dancing'; 'Music'' In: ed. Sean Connolly (Oxford, 1998) (eds). The Oxford Companion to Irish History. [Details]
White, H.; (1998) ''Strange Intimacies: Music, Politics and the Irish Imagination'' In: ed. Richard Pine (Cork and RTE: Mercier Press, 1998) (eds). Music in Ireland, 1798-1998, The 1998 Thomas Davis Lecture Series. , pp.29-37 [Details]
White, H. and Lawrence, F.; (1992) 'Towards a history of the Cecilian movement in Ireland' In: White, H. and Gillen, G (eds). Irish Musical Studies. 2: Music and the Church. Blackrock, Co. Dublin: Irish Academic Press. , pp.78-107 [Details]
White, H. with F. Lawrence; (0) ''Towards a History of the Cecilian Movement in Ireland'' In: Gillen and White, eds. (eds). Music and the Church. , pp.78-107 [Details]
White, H.; (0) ''Church Music and Musicology in Ireland'' In: in Gillen and White, eds. (eds). Music and the Church. , pp.333-338 [Details]
White, H.; (0) ''Music and the Irish Literary Imagination'' In: Gillen and White, eds. (eds). Music and Irish Cultural History. , pp.212-228 [Details]
White, H.; (0) ''Musicology, Positivism and the Case for an Encyclopedia of Music in Ireland'' In: Gillen and White, eds (eds). Musicology in Ireland. , pp.295-300 [Details]
White,; (0) ''The Sepolcro Oratorios, an Assessment'' In: ed., Johann Joseph Fux (eds). Music of the Austro-Italian Baroque. , pp.164-230 [Details]
 

Peer Reviewed Journals

Harry White (2017) ''Evangelists of the Postmodern: Reconfigurations of Bach since 1985''. Understanding Bach, 2016-17 (12):85-107. [Details]
Harry White (2017) 'Review of Fux, Missa Sancti Joannis Nepomucensis, K 34A, ed. Hocker and Schwob'. Eighteenth-Century Music, 14, September 2017 (2):307-310. [DOI] [Details]
White, Harry (2016) 'Review of Traditional Music and Irish Society by Martin Dowling'. Music and Letters, . [DOI] [Details]
White, Harry (2016) ''Macpherson, Ossian and the Bardic Ideal''. De Musica Disserenda, . [Details]
White, Harry (2016) ''The Lexicography of Irish Musical Experience''. Fontes Artis Musicae, . [Details]
White, Harry (2016) 'Review of Martha Viljoen (ed) Musics of the Free State'. International Review of the Aesthetics and Sociology of Music, . [Details]
Harry White (2015) 'Alison Dunlop, 'The Life and Works of Gottlieb Muffat (1690-1770)'. Eighteenth-Century Music, 12 (1):91-93. [Details]
White, H. (2015) 'Review of Exploring Bach's B-minor Mass, eds. Tomita, Leaver and Smaczny'. Journal of the Society for Musicology in Ireland, 10 (2014-15):47-56. Available Online [Details]
Harry White; (2009) 'The Invention of Ethnicity: Traditional Music and the Modulations of Irish Culture'. De Musica Disserenda, 14 (2):85-95. [Details]
White, H; (2009) 'Riverdance. Irish Identity and the Musical Artwork'. New Hibernia Review, 13 (2):63-69. [Details]
Prof. White, H.; (2007) 'The Rules of Engagement. Richard Taruskin and the History of Western Music'. Journal of the Society for Musicology in Ireland, 2 :21-49. [Details]
Prof. White, H.; (2006) 'The Afterlife of a Tradition: European Music and Irish Literature in the Nineteenth Century'. De Musica Disserenda, . [Details]
White, H.,; (2005) 'Paltry, scented things from Italy: Ireland the Discourse of Nationalism in 19th-Century European Musical Culture'. Musica e Storia, xii (3):649-662. [Details]
White, H.,; (2005) 'Foreword'. Journal of the Society for Musicology in Ireland, 1 . [Details]
White, H.,; (2004) 'Art Music and the Question of Ethnicity: the Slavic Dimension of Czech Music from an Irish Perspective'. International Review of the Aesthetics and Sociology of Music, 35 (1):29-46. [Details]
White, H; (2004) 'Art music and the question of ethnicity: The Slavic dimension of Czech music from an Irish point of view'. Sociology, 35 :29-46. [Details]
White, H.; (2002) 'Is This Song About You? Some Reflections on Music and Nationalism in Germany and Ireland'. International Review of the Aesthetics and Sociology Of, 33 :131-147. [Details]
White, H.; (2000) ''Gefühl und Wissen: Axel Klein und die irische Musik,''. Ireland Journal, XI :25-27. [Details]
White, H. [with David Fallows, Helen Greenwald, Andrew D. McCredie and Honey Meconi]; (1999) ''Music and Sister Disciplines: Past, Present and Future''. Current Musicology, 63 :150-169. [Details]
White, H.; (1999) ''Irish Art Music in the Twentieth Century''. Irish Review, 24 :139-143. [Details]
White, H.; (1999) ''Brian Friel and the Condition of Music''. Irish University Review, 29 (1):6-15. [Details]
White, H.; (1998) ''A Book of Manners in the Wilderness: The University as Enabler in Music Education''. College Music Symposium, 38 :47-63. [Details]
White, H.; (1998) ''American Musicology and The Archives of Eden''. Journal of American Studies, 42 (1):1-18. [Details]
White, H.; (1997) ''The Conceptual Failure of Music Education in Ireland''. Irish Review, 15 :44-48. [Details]
White, H.; (1997) 'If It's Baroque, Don't Fix It: On the Work-Concept and the Historical Integrity of Musical Composition Before 1800'. Acta Musicologica, :94-104. [Details]
White, H.; (1997) ''The Preservation of Music and Irish Cultural History''. International Review of the Aesthetics and Sociology Of, 27 (2):123-138. [Details]
White, H.; (1996) ''Some Canonic Variations''. Studies, 85 :271-277. [Details]
White, H.; (1996) ''Maynooth Conference Report''. Journal of Musicology, 14 (4):579-589. [Details]
White, H.; (1995) ''The Oratorios of Johann Joseph Fux and the Imperial Court in Vienna''. Studies in Music From the University of Western Ontario, 15 :1-16. [Details]
White, H.; (1991) ''Mozart: The Second Centenary''. Studies, 80 :41-47. [Details]
WHITE, H; (1991) 'THE HOLY COMMANDMENTS OF TONALITY'. Journal of Musicology, 9 :254-268. [Details]
White, H.; (1991) ''The Holy Commandments of Tonality''. Journal of Musicology, 9 (2):254-269. [Details]
White, H.; (1990) ''Music and the Perception of Music in Ireland''. Studies, 79 :38-44. [Details]
WHITE, H; (1990) 'FRIEL,BRIAN, MURPHY,THOMAS AND THE USE OF MUSIC IN CONTEMPORARY IRISH DRAMA'. Modern Drama, 33 :553-562. [Details]
White, H. and Lawrence, F.; (1990) 'Heinrich Bewerunge (1862-1923): Ein beitrag zur geschichte des Cäcilianismus in Irland'. Kirchenmusikalisches Jahrbuch, 74 :41-66. [Details]
White, H.; (1990) ''A Canadian Model for Music in Ireland''. Canadian Journal of Irish Studies, 16 :1-6. [Details]
White, H.; (1990) ''Heinrich Bewerunge (1862-1923). Ein Beitrag zur Geschichte des Caecilianismus in Irland', -(with catalogue by F. Lawrence)'. Kirchenmusikalisches Jahrbuch, 74 :41-66. [Details]
White, H.; (1990) ''Brian Friel, Thomas Murphy and the Use of Music in Contemporary Irish Drama''. Modern Drama, 33 (4):553-562. [Details]
White, H.; (1989) ''Frank Llewelyn Harrison and the Development of Postwar Musicological Thought''. Hermathena, 146 :39-48. [Details]
WHITE, H; (1989) 'HARRISON,FRANK,LLEWELYN AND THE DEVELOPMENT OF POSTWAR MUSICOLOGICAL THOUGHT'. Hermathena, :39-47. [Details]
WHITE, H; (1989) 'THE CRITICAL FOCUS OF AMERICAN MUSICOLOGY'. Journal of American Studies, 23 :453-459. [Details]
WHITE, H; (1989) 'IRELAND AND THE IRISH IN PINTER'. AAA, Arbeiten aus Anglistik und Amerikanistik, 14 :161-165. [Details]
White, H.; (1989) ''The Critical Focus of American Musicology''. Journal of American Studies, 23 (3):453-459. [Details]
White, H.; (1989) ''The Case for an Encyclopedia of Music in Ireland''. Irish Review, 6 :39-45. [Details]
White, H.; (1989) ''Carolan and the Dislocation of Music in Ireland''. 4 :55-64. [Details]
White, H.; (1988) ''Musicology in Ireland''. Acta Musicologica, 60 (3):290-305. [Details]
White, H.; (1987) ''The Sanctuary Lamp: An Assessment''. Irish University Review, 17 :71-81. [Details]
WHITE, H; (1987) 'THE 'SANCTUARY LAMP' + MURPHY,THOMAS - AN ASSESSMENT'. Irish Univ Rev, 17 :71-81. [Details]
White, H. -(with Robert Elliott); (1985) ''A Collection of Oratorio Libretti, 1700-1800, in the Thomas Fisher Rarebook Library, University of Toronto''. Fontes Artis Musicae, 32 (2):102-113. [Details]
White, H.; (1984) ''Canon in the Baroque Era: Some Precedents for the Musical Offering''. Journal of Riemenschneider Bach Institute, 15 (4):4-14. [Details]
White, H.; (1984) ''The Need for a Sociology of Irish Folk Music''. International Review of the Aesthetics and Sociology Of, 15 (1):3-13. [Details]
White, H.; (1983) ''Erhaltene Quellen der Oratorien von Johann Joseph Fux: Ein Bericht''. Kirchenmusikalisches Jahrbuch, 67 :123-131. [Details]
   

Published Reports

Harry White; (2010) Sacred Music in the Habsburg Empire, 1619-1740 and its Contexts. Cambridge University Press, Cambridge. [Details]
 

Dictionary Entry

White, H.[with David Scott]; (2001) 'Harrison, Francis Llewelyn', in Stanley Sadie, ed., The New Grove Dictionary of Music and Musicians vol. 11. London: Dictionary Entry [Details]
White, H.; (2001) 'Ireland (1)' in The New Grove Dictionary of Music and Musicians vol.12, London: Macmillan. Dictionary Entry [Details]
   

Encyclopedia Entry

White, Harry (2013) 'Byrne, Anthony', in The Encyclopaedia of Music in Ireland, eds. White and Boydell. Dublin: Encyclopedia Entry [Details]
White, Harry (2013) 'Beckett, Samuel' in The Encyclopaedia of Music in Ireland, eds. White and Boydell. Encyclopedia Entry [Details]
White, Harry (2013) 'Friel, Brian' in The Encyclopaedia of Music in Ireland, eds. White and Boydell. Encyclopedia Entry [Details]
White, Harry (2013) 'Heaney, Seamus Justin' in The Encyclopaedia of Music in Ireland, eds. White and Boydell. Encyclopedia Entry [Details]
White, Harry (2013) 'Synge, John Millington', in The Encyclopaedia of Music in Ireland, eds. White and Boydell. Encyclopedia Entry [Details]
White, Harry (2013) 'Introduction', The Encyclopaedia of Music in Ireland eds. White and Boydell. Encyclopedia Entry [Details]
White, Harry (2013) 'Music and Literature' in The Encyclopaedia of Music in Ireland, eds. White and Boydell. Encyclopedia Entry [Details]
White, Harry (2013) 'O Riada, Sean' in The Encyclopaedia of Music in Ireland, eds. White and Boydell. Encyclopedia Entry [Details]
Harry White (2013) 'Houston, Kerry' in The Encyclopaedia of Music in Ireland, eds. White and Boydell. Encyclopedia Entry [Details]
White, Harry (2013) 'Irish Musical Studies' in The Encyclopaedia of Music in Ireland, eds. White and Boydell. Encyclopedia Entry [Details]
White, Harry (2013) 'Yeats, W.B.' in The Encyclopaedia of Music in Ireland, eds. White and Boydell. Encyclopedia Entry [Details]
White, Harry (2013) 'Nationalism and Music' in The Encyclopaedia of Music in Ireland, eds. White and Boydell. Encyclopedia Entry [Details]
                   

Reports

White, H; (2011) Musicology. Dublin: Reports [Details]
               

Book Reviews

White, H (2012) The Cambridge History of Eighteenth-Century Music. Book Reviews [DOI] [Details]
White, H (2012) The Last of the Minstrels: Yeats and the Revival of the Bardic Arts. Book Reviews [DOI] [Details]
White, H (2011) ALOYS FLEISCHMANN (1880-1964): IMMIGRANT MUSICIAN IN IRELAND. Book Reviews [Details]
White, H; (2009) The Invention of Folk Music and Art Music Emerging Categories from Ossian to Wagner. Journal of the Society for Musicology in Ireland: Book Reviews [Details]
White, H; (2008) Plays and Controversies. Abbey Theatre Diaries 2000-2005. Irish University Review: Book Reviews [Details]
White, H (2000) Ives Studies. Book Reviews [Details]
White, H (2000) Arthur Foote: A musician in the frame of time and place. Book Reviews [Details]
White, H (1999) Ives Studies. Book Reviews [Details]
White, H (1999) Arthur Foote: A musician in the frame of time and place. Book Reviews [Details]

Reviews

Harry White (2012) Simon Keefe, ed., The Cambridge History of Eighteenth-Century Music (Cambridge: Cambridge University Press, 2009). Oxford: Reviews [Details]
Harry White (2012) The Last Minstrels. Yeats and the Revival of the Bardic Arts (Oxford: Oxford University Press, 2008)¿. Oxford: Reviews [Details]
Harry White (2011) Ruth Fleischmann, Joseph Cunningham and Seamas de Barra, Aloys Fleischmann (1880-1964): Immigrant Musician in Ireland, (Cork: Cork University Press, 2010)¿. Reviews [Details]
                           

Foreword

Harry White (2017) Foreword to Una Hunt, Sources and Style in Moore's Irish Melodies. London and New York: Foreword [Details]
White, Harry (2016) Foreword to Flowing Tides, Gearoid O hAllmhurain. Foreword [Details]
White, Harry (2014) Preface to Irish Musical Analysis (Irish Musical Studies, vol. 11), eds Cox and Horton. Dublin: Foreword [Details]
               

Articles

Harry White (2015) The Alphabet of Irish Musical Experience. US: Articles Available Online [Details]
Harry White (2012) Prima la Musica. Waterford: Articles [Details]
                                 

Research

Research Interests

Music and Cultural History in Ireland. The History of Musicology since 1945. The Music of Johann Joseph Fux. Concepts of Servitude and Autonomy in relation to European Music, 1700-1750