Below is the list of research publications for the School of English, Drama and Film in the academic year 2021/2022.
| Assoc Professor P.J. Mathews | |
| Mathews, P., & Breathnach, M. (2021). Voices of Ireland [Artefact]. Sky Arts. | |
| Mathews, P., Magan, R., Fox, E., & Carroll, P. (2021). The Flouishing [Artefact]. RTÉ 1 TV. Retrieved from https://presspack.rte.ie/2021/12/30/the-flourishing/ | |
| Dr Niamh Campbell | |
| Campbell, N. (2022). We Were Young. Weidenfeld & Nicolson. | |
| Dr Jonathan Creasy | |
| Creasy, J. (2021). Border Poet: The Lives of Benjamin Alire Sáenz. USA: University of New Mexico Press. | |
| Professor Ian Davidson | |
| Davidson, I. (2022). New and Selected Poems. | |
| Professor Porscha Fermanis | |
| Fermanis, P. (2022). Romantic Pasts History, Fiction and Feeling in Britain, 1790-1850. Edinburgh Critical Studies in Romanticism. | |
| Professor Anne Fogarty | |
| Fogarty, A., & Morales-Ladrón, M. (2022). Deirdre Madden New critical perspectives. Manchester University Press. | |
| Dr Paula McGrath | |
| Mcgrath, P. (2022). Dann rennen wir. | |
| Dr Anthony McIntyre | |
McIntyre, A. P. (2022). Contemporary Irish Popular Culture. Springer International Publishing. doi:10.1007/978-3-030-94255-7 |
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| Dr Sarah Comyn | |
| Comyn, S. (2022). Eliza Hamilton Dunlop: Writing from the Colonial Frontier (Vol. 46). Informa UK Limited. doi:10.1080/14443058.2022.2068752 |
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| Dr Treasa De Loughry | |
| De Loughry, T. (2021). Book Review: Pallavi Rastogi. "Postcolonial Disaster Narrating Catastrophe in the Twenty-First Century." (Vol. 107). London: Taylor & Francis. | |
| Dr Anthony McIntyre | |
| Flynn, R. (2022). IRISH FILM AND TELEVISION – 2021. Estudios Irlandeses. doi:10.24162/ei2022-11036 |
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| Assoc Professor Niamh Pattwell | |
| Pattwell, N. (2022). A review of Manuscript Culture and Medieval Devotional Traditions: Essays in Honour of Michael G. Sargent. Edited by Jennifer N. Brown and Nicole R. Rice.. New York: Pace University Press. | |
| Dr Hannah Boast | |
| Boast, H., & Seymour, N. (2021). Captive Audiences: Quarantining with Tiger King. In K. Fuhs, & J. Baron (Eds.), Tiger King: A Docalogue. Abingdon: Routledge. | |
| Professor John Brannigan | |
| Brannigan, J. (2021). Explaining ourselves: Hannah Berman, Jewish Nationalism and Irish Modernism. In P. Fagan, J. Greaney, & T. Radak (Eds.), Irish Modernisms Gaps, Conjectures, Possibilities (pp. 15-28). London: Bloomsbury Publishing. | |
| Brannigan, J. (2022). In this corner of peace in a world of trouble: The Literature of Islands of the North-East Atlantic in the Second World War. In F. Dillane, & G. Gudmundsdottir (Eds.), Iceland - Ireland Memory, Literature, Culture on the Atlantic Periphery (pp. 95-107). Leiden: Internationale Forschungen Zur. | |
| Brannigan, J. (2022). The Oceanic Imaginaries of Modern Irish Writing. In M. Sen (Ed.), A History of Irish Literature and the Environment (pp. 227-242). Cambridge: Cambridge University Press. | |
| Professor Danielle Clarke | |
| Clarke, D. (2022). Mid-Tudor Poetry. In The Oxford History of Poetry in English Volume 4. Sixteenth-Century British Poetry (pp. 422-438). Oxford: Oxford University Press. | |
| Dr Catríona Clutterbuck | |
| Clutterbuck, C. (2022). "Journeying Through Loss: transcendence and healing in Deirdre Madden's Hidden Symptoms". In A. Fogarty, & M. Morales-Ladron (Eds.), Deirdre Madden: New Critical Perspectives (pp. 50-65). Manchester, United Kingdom: Manchester University Press. | |
| Dr Sarah Comyn | |
| Comyn, S. (2021). 'Bringing Her Business Forward': Jane Austen and Political Economy. In The Routledge Companion to Jane Austen (pp. 193-204). | |
| Comyn, S. (2022). 'The Ladies' Contribution': Women and the Mechanics' Institute on the Goldfields of Victoria. In J. Mee, & M. Sangster (Eds.), Institutions of Literature, 1700-1900: The Development of Literary Culture and Production. Cambridge: Cambridge University Press. | |
| Comyn, S. (2022). Economic Literature and Economic Thought in the Nineteenth Century. In N. Marsh, P. Crosthwaite, & P. Knight (Eds.), Cambridge Companion to Literature and Economics. Cambridge: Cambridge University Press. | |
| Assoc Professor Sharae Deckard | |
| Deckard, S. (2021). Gendering Petrofiction: Energy, Imperialism, and Social Reproduction. In S. Balkan, & S. Nandi (Eds.), Oil Fictions: World Literature and Our Contemporary Petrosphere (pp. 41-58). University Park, PA: Penn State University Press. | |
| Neoliberal Memory and the Market (2022). In Iceland – Ireland (pp. 17-34). BRILL. doi:10.1163/9789004505339_003 |
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| Deckard, S. (2022). Energy Futures in Contemporary Irish Fiction. In A History of Irish Literature and the Environment (pp. 377-394). Cambridge University Press. doi:10.1017/9781108780322.020 |
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| Dr Diretnan Dikwal-Bot | |
| Dikwal-Bot, D., & Mendes, K. (2022). Feminism, Social Media, and Political Campaigns. In Electoral Campaigns, Media, and the New World of Digital Politics (pp. 60). Michigan: University of Michigan Press. | |
| Professor Fionnuala Dillane | |
| Warnings from the Water’s Edge (2022). In Iceland – Ireland (pp. 54-74). BRILL. doi:10.1163/9789004505339_005 |
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| Iceland — Ireland (2022). In Iceland – Ireland (pp. 1-14). BRILL. doi:10.1163/9789004505339_002 |
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| Professor Anne Enright | |
| Enright, A. (2022). Introduction. In Almost There by Nuala O'Faolain. Dublin: New Island Press. | |
| Dr Katherine Fama | |
| Fama, K., & Lagerwey, J. (2022). PART I: Single Studies: Archives and Methods; PART II: Familiar Figures: Representing and Reforming the Single Woman; PART III: Singles at Home: Domestic Labors. In J. Lagerwey, & K. Fama (Eds.), Single Lives: Modern Women in Literature, Culture, and Film (pp. 13, 67, 133-14, 68, 134). Rutgers, NJ: Rutgers University Press. |
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| Fama, K. (2022). Feeling “Like a Queen”: Later- Life Single Women at Home in Modern American Short Fiction. In J. Lagerwey, & K. Fama (Eds.), Single Lives: Modern Women in Literature, Culture and Film (pp. 135-156). Rutgers, NJ: Rutgers University Press. |
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| Fama, K., & Lagerwey, J. (2022). Situating Single Lives. In K. Fama, & J. Lagerwey (Eds.), Single Lives: Modern Women in Literature, Culture and Film (pp. 1-12). Rutgers, NJ: Rutgers University Press. | |
| Professor Porscha Fermanis | |
| Bibliography (2022). In Romantic Pasts (pp. 255-294). Edinburgh University Press. doi:10.1515/9781474481908-011 |
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| Epilogue: A Romantic Return? (2022). In Romantic Pasts (pp. 178-189). Edinburgh University Press. doi:10.1515/9781474481908-009 |
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| Chapter 5 Historical Reviewing: Specialisation and Periodical Culture (2022). In Romantic Pasts (pp. 147-177). Edinburgh University Press. doi:10.1515/9781474481908-008 |
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| Chapter 4 Historical Style and the Man of Letters: Macaulay and Carlyle (2022). In Romantic Pasts (pp. 118-146). Edinburgh University Press. doi:10.1515/9781474481908-007 |
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| Chapter 2 Historical Subjects and Ethical Character: Godwin and Carlyle (2022). In Romantic Pasts (pp. 58-85). Edinburgh University Press. doi:10.1515/9781474481908-005 |
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| Chapter 1 Historical Sentiment and Experience: Burke and Wollstonecraft (2022). In Romantic Pasts (pp. 30-57). Edinburgh University Press. doi:10.1515/9781474481908-004 |
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| Introduction: Romantic Histories of Feeling (2022). In Romantic Pasts (pp. 1-29). Edinburgh University Press. doi:10.1515/9781474481908-003 |
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| Chapter 3 Historical Ethnogenesis and National Feeling: Scott, Moore, and Southey (2022). In Romantic Pasts (pp. 86-117). Edinburgh University Press. doi:10.1515/9781474481908-006 |
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| Fermanis, P. (2022). Networks, Nodes, and Beacons: Cultural Institutions in Nineteenth-Century Southeast Asia. In J. Mee, & M. Sangster (Eds.), Institutions of Literature, 1700–1900: The Development of Literary Culture and Production (pp. 255-74). Cambridge: Cambridge University Press. | |
| Fermanis, P. (2022). Networks, Nodes, and Beacons. In Institutions of Literature, 1700–1900 (pp. 255-274). Cambridge University Press. doi:10.1017/9781108909501.014 |
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| Professor Anne Fogarty | |
| Fogarty, A. (2022). "Modernism, Memory and the Biographical Impulse". In C. P. Curran (Ed.), James Joyce Remembered: Edition 2022 (pp. 190-196). Dublin: UCD Press. | |
| Fogarty, A. (2022). "Trauma and Eco-Memory in Sjón's The Blue Fox (2003), Eimear McBride’s A Girl is A Half-Formed Thing (2013), and Sara Baume’s A Line Made by Walking (2017)”,. In F. Dillane, & G. Guðmunsdóttir (Eds.), Iceland-Ireland: Memory, Literature, Culture on the Atlantic Periphery (pp. 75-91). Leiden: Brill. | |
| Fogarty, A. (2022). "The Architectural Uncanny: Family Secrets and the Gothic in The Birds of the Innocent Wood and Remembering Light and Stone". In A. Fogarty, & M. Morales Ladron (Eds.), Deirdre Madden: New Critical Perspectives (pp. 199-214). UK: Manchester University Press. | |
| Fogarty, A. (2022). "The Architectural Uncanny: Family Secrets and the Gothic in The Birds of the Innocent Wood and Remembering Light and Stone!. In Deirdre Madden: New Critical Perspectives (pp. 199-214). Manchester: Manchester University Press. | |
| Dr John Gallagher | |
| Gallagher, J. (2022). Bede's Changing Eschatological Identity. In The Medieval Eschatology. Madrid: Sociedad Española de Estudios Medievales (SEEM). | |
| Dr Paul Halferty | |
| Richards, S. (2022). Fifty Key Irish Plays. Routledge. doi:10.4324/9781003203216 |
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| Halferty, J. (2022). Gay/Queer and Transgender Performances and Cultures in Toronto (1946-1965): Dragging at the Margins. In A. Vickery, G. Nichols, & A. C. Lindgren (Eds.), Canadian Plays and Performance Documents 1606-1967. Edmonton: University of Alberta Press. | |
| Assoc Professor Clare Hayes-Brady | |
| Hayes-Brady, C. (2022). Teaching Chimamanda Ngozi Adichie’s Americanah in Ireland: “If you don’t understand, ask questions”. In Contemporary American Fiction in the European Classroom (pp. 169-184). Springer International Publishing. doi:10.1007/978-3-030-94166-6_11 |
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| Professor Eamonn Jordan | |
| Jordan, E. (2022). The Immutable and Un-retrievable in the Diasporic Films of John Michael and Martin McDonagh. In Palgrave Studies in Adaptation and Visual Culture (pp. 215-238). doi:10.1007/978-3-031-04568-4_12 |
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| Jordan, E. (2022). Enunciations and avoidances of capital and class in evolving irish theatre. In The Routledge Companion to Literature and Class (pp. 233-246). | |
| Jordan, E. (2022). Intersectionality and Form in Five Short Plays by Deirdre Kinahan. In ‘I love craft. I love the word’: The Theatre of Deirdre Kinahan (pp. 95-132). | |
| Jordan, E. (2022). The Beauty Queen of Leenane. In S. Richards (Ed.), Fifty Key Irish Plays (pp. 152-156). London: Taylor & Francis. | |
| Assoc Professor Jorie Lagerwey | |
| Fama, K. (2022). Feeling “Like a Queen”: Later- Life Single Women at Home in Modern American Short Fiction. In J. Lagerwey, & K. Fama (Eds.), Single Lives: Modern Women in Literature, Culture and Film (pp. 135-156). Rutgers, NJ: Rutgers University Press. |
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| Fama, K., & Lagerwey, J. (2022). Situating Single Lives. In K. Fama, & J. Lagerwey (Eds.), Single Lives: Modern Women in Literature, Culture and Film (pp. 1-12). Rutgers, NJ: Rutgers University Press. | |
| Fama, K., & Lagerwey, J. (2022). PART I: Single Studies: Archives and Methods; PART II: Familiar Figures: Representing and Reforming the Single Woman; PART III: Singles at Home: Domestic Labors. In J. Lagerwey, & K. Fama (Eds.), Single Lives: Modern Women in Literature, Culture, and Film (pp. 13, 67, 133-14, 68, 134). Rutgers, NJ: Rutgers University Press. |
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| Dr Pedzisai Maedza | |
| Maedza, P. (2021). As concubinas do Kaiser: Re-cordando mulheres africanas na eugenia e no genocídio. In História e Trauma: Linguagens e Usos do Passado. Vitória, Espírito Santo: Editora Milfontes. | |
| Dr Anthony McIntyre | |
| McIntyre, A. P. (2022). Introduction—“Fractured Movement”: Transnationalism, Regionality, and Diaspora in Contemporary Irish Popular Culture. In Contemporary Irish Popular Culture (pp. 1-22). Springer International Publishing. doi:10.1007/978-3-030-94255-7_1 |
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| McIntyre, A. P. (2022). Mammies and Sons: Mobilising Maternal and Filial Affect in Mrs Brown’s Boys, 50 Ways to Kill Your Mammy, and Philomena. In Contemporary Irish Popular Culture (pp. 203-238). Springer International Publishing. doi:10.1007/978-3-030-94255-7_6 |
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| McIntyre, A. P. (2022). Transnationalism, Masculinity, and Diasporic Performativity in Irish Sport: Conor McGregor and James McClean. In Contemporary Irish Popular Culture (pp. 109-152). Springer International Publishing. doi:10.1007/978-3-030-94255-7_4 |
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| McIntyre, A. P. (2022). Derry Girls and Cork Boys: Second Cities, Regional Identities and (Trans)National Tensions in the Contemporary Irish Sitcom. In Contemporary Irish Popular Culture (pp. 65-107). Springer International Publishing. doi:10.1007/978-3-030-94255-7_3 |
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| McIntyre, A. P. (2022). Star Leverage, Local Matters, and Transnational Media: Chris O’Dowd, Moone Boy and Puffin Rock. In Contemporary Irish Popular Culture (pp. 23-64). Springer International Publishing. doi:10.1007/978-3-030-94255-7_2 |
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| McIntyre, A. P. (2022). Coda: The COVID-19 Pandemic and Irish Screen Media. In Contemporary Irish Popular Culture (pp. 239-249). Springer International Publishing. doi:10.1007/978-3-030-94255-7_7 |
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| McIntyre, A. P. (2022). Irish Female Comedic Voices, Diasporic Melancholy, and Productive Irritation: Sharon Horgan, Aisling Bea and Maeve Higgins. In Contemporary Irish Popular Culture (pp. 153-201). Springer International Publishing. doi:10.1007/978-3-030-94255-7_5 |
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| McIntyre, A. (2022). Apocalyptic Visions and Commercial Constraints: Gregg Araki’s Negotiation of Emerging Modes of Indie TV Auteurship. In Y. Tzioumakis, & J. Lyons (Eds.), Indie TV (pp. 18 pages). London: Routledge. | |
| Assoc Professor Anne Mulhall | |
| Mulhall, A. (2022). Shifting Landscapes: New Literatures of Migration. In C. Parsons (Ed.), Irish Transnational Literatures. Cambridge and New York: Cambridge University Press. | |
| Dr Harvey O'Brien | |
| O'Brien, H. (2021). Return to Mars. In P. King, & A. Jones (Eds.), The Art of Clare: The People and Landscape as County Clare (pp. 166-175). Dublin: The Liffey Press. | |
| O'Brien, H. (2022). Aloha-oe: Hello and Goodbye to Love and Family in Train to Busan. In Theorising the Contemporary Zombie Contextual Pasts, Presents, and Futures. Cardiff: Horror Studies. | |
| O'Brien, H. (2022). Action Jackson (contributor to). In E. Gross, & M. Atlman (Eds.), They Shouldn't Have Killed His Dog The Complete Uncensored Ass-Kicking Oral History of John Wick, Gun Fu, and the New Age of Action (pp. 1-69). New York: St. Martin's Press. | |
| Dr Martha Shearer | |
| Shearer, M. (2022). Xanadu and the Musical’s History of Failure. In D. Broomfield-McHugh (Ed.), The Oxford Handbook of the Hollywood Musical (pp. 459-479). New York: Oxford University Press. | |
| Assoc Professor Rebecca Stephenson | |
| Stephenson, R., Trilling, R., & Norris, R. (2022). Introduction. In R. Stephenson, R. Trilling, & R. Norris (Eds.), Feminist Approaches to Early Medieval English Studies. Amsterdam: Amsterdam University Press. | |
| Assoc Professor Nerys Williams | |
| Williams, N. (2022). Sylvia Plath's 'Three Women" Producing a Poetics of Listening at the BBC. In A. Golden, A. Helle, & M. O'Brien (Eds.), The Bloomsbury Handbook to Sylvia Plath. London: Bloomsbury. | |
| Williams, N. (2022). Foreword- Peter Finch ONE. In A. Taylor (Ed.), Peter Finch: Collected Poems ONE 1968-1997. Bridgend: seren. | |
| Dr Emma Bennett | |
| Bennett, E. (2022). Frames of Address: Theatricality and Mediation in ‘ASMR’ Role-Play Videos. In International Federation of Theatre Research World Congress. University of Iceland. | |
| Professor Gerardine Meaney | |
| Meaney, G., Wade, K., Greene, D., & Wickes, B. (2022). Curatr Workshop: A new tool for analysing the British Library’s 19th Century Corpus. In Curatr Workshop: A new tool for analysing the British Library’s 19th Century Corpus. | |
| Meaney, G. (2022). Gender, Class and Migration: Tracking Irishness in the British Library 19th Century Corpus. In International Association for the Study of Irish Literatures. University of Limerick. | |
| Assoc Professor Luca Crispi | |
| Crispi, L., & Fogarty, A. (Eds.) (2022). Dublin James Joyce Journal, Nos 11-13 2019-21. Dublin, Ireland: UCD James Joyce Centre and National Library of Ireland. | |
| Professor Fionnuala Dillane | |
| Dillane, F., & Guðmundsdóttir, G. (Eds.) (2022). Iceland - Ireland: Memory, Literature, Culture on the Atlantic Periphery. Leiden: Brill. | |
| Dr Katherine Fama | |
| Lagerwey, J., Fama, K., Liggins, E., Williams, A. N., DeWolfe, E., Clark, J. S., et al. (2022). Single Lives: Modern Women in Literature, Culture, and Film. J. Lagerwey, & K. Fama (Eds.), New Jersey: Rutgers University Press. Retrieved from https://www.rutgersuniversitypress.org/single-lives/9781978828513 | |
| Assoc Professor Clare Hayes-Brady | |
| Hayes-Brady, C. (Ed.) (2021). David Foster Wallace in Context. New York: Cambridge University Press. | |
| Assoc Professor Jorie Lagerwey | |
| Lagerwey, J., Fama, K., Liggins, E., Williams, A. N., DeWolfe, E., Clark, J. S., et al. (2022). Single Lives: Modern Women in Literature, Culture, and Film. J. Lagerwey, & K. Fama (Eds.), New Jersey: Rutgers University Press. Retrieved from https://www.rutgersuniversitypress.org/single-lives/9781978828513 | |
| Assoc Professor Rebecca Stephenson | |
| Stephenson, R., Trilling, R., & Fay, J. (Eds.) (2022). Textual Identities in Early Medieval England: Essays in Honour of Katherine O'Brien O'Keeffe. Woodbridge, Suffolk, UK: Boydell & Brewer. | |
| Norris, R., Trilling, R. R., & Stephenson, R. (Eds.) (2022). Feminist Approaches to Early Medieval English Studies. Amsterdam: Amsterdam University Press. | |
| Dr Hannah Boast | |
| Boast, H. (2021). 'Girls Like Us', in Legacies — 9/11 and the War On Terror at Twenty. Post-45. Retrieved from https://post45.org/2021/09/girls-like-us/ | |
| Boast, H., & Deverey, C. (2022). Water wars and hydrosocial imaginaries: literature, narrative and power. Retrieved from https://earthtalks.ucd.ie/ | |
| Dr Maria Mulvany | |
| Mulvany, M. (2021). www.ghostlyirishfictions.com. | |
| Assoc Professor Nerys Williams | |
| Williams, N. (2022). In Our Time - Dylan Thomas (BBC Radio 4). BBC. Retrieved from https://www.bbc.co.uk/programmes/m001882k | |
| Dr Tupur Chattopadhyay | |
| Chatterjee, T. (2022). The house cannot be full: Risk, anxiety, and the politics of collective spectatorship in a pandemic. International Journal of Cultural Studies, 25(3-4), 384-403. doi:10.1177/13678779211066330 |
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| Professor Danielle Clarke | |
| Clarke, D. (2022). Dorothy Parsons of Birr: writing, networks, identity, 1640–1670. Seventeenth Century, 37(1), 23-45. doi:10.1080/0268117X.2021.1875262 |
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| Dr Catríona Clutterbuck | |
| Clutterbuck, C. (2021). Bodily Vulnerability and the Ethics of Representing Woman and Nation in the Poetry of Eavan Boland.. ABEI Journal, 23(2), 133-146. doi:10.37389/abei.v23i2.197758 |
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| Assoc Professor Lucy Collins | |
| O’Connor, S., & Collins, L. (2021). ‘More than just a place to visit…’: An interview with Simon O’Connor, director, Museum of literature Ireland. Irish University Review, 51(2), 189-199. doi:10.3366/IUR.2021.0513 |
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| Dr Sarah Comyn | |
| Comyn, S. (2022). “A vast field in itself”: Acclimatisation, Phrenology and Salvage Ethnography in the Goldfields Mechanics’ Institutes. Journal of Colonialism and Colonial History, 23(1). doi:10.1353/cch.2022.0002 |
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| Professor Nicholas Daly | |
| Daly, N. (2022). Inventing the American City: Dion Boucicault, John Brougham, and Transatlantic Urban Melodrama. Nineteenth Century Theatre and Film, 174837272211149. doi:10.1177/17483727221114946 |
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| Dr Treasa De Loughry | |
| De Loughry, T. (2022). CLCWeb: Comparative Literature and Culture. CLCWeb - Comparative Literature and Culture, 24(1). doi:10.7771/1481-4374.4297 |
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| Assoc Professor Sharae Deckard | |
| Waller, T. (2022). Apresentando o WReC: uma entrevista com Neil Lazarus, Sharae Deckard e Michael Niblett. Via Atlântica, (40), 498-544. doi:10.11606/va.i40.163720 |
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| Deckard, S. (2022). “Um James Bond subdesenvolvido” e uma “Cabeça Retangular”: estética desigual e combinada em Pepetela e Mabanckou. Via Atlântica, (40), 178-214. doi:10.11606/va.i40.173463 |
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| Dr Claudia Dellacasa | |
| Dellacasa, C., Cataldi, B. R., & Hughes, L. (2021). Italy at Work: Representations of Labour in Italian Culture. Notes in Italian Studies, 1, 5-8. | |
| Dellacasa, C. (2022). Zen as everyday praxis. Journal of Romance studies, 22(1), 1-28. doi:10.3828/jrs.2022.1 |
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| Dr Diretnan Dikwal-Bot | |
| Dikwal-Bot, D., & Mendes, K. (2022). “Eight Tory Leadership candidates declare themselves feminists”: feminism and political campaigns. Feminist Media Studies, 1-17. doi:10.1080/14680777.2022.2080751 |
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| Professor Fionnuala Dillane | |
| Fyfe, P., & Dillane, F. (2022). Multilingualism and Periodical Studies: A Report from an RSVP + ESPRit Workshop. Journal of European Periodical Studies, 7(1). doi:10.21825/jeps.84813 |
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| Professor Anne Enright | |
| Enright, A. (2021). Beautiful World Where Are You. The Guardian. | |
| Enright, A. (2021). Singular Talent, Double Life: Selected Short Stories of John Cheever. TLS - The Times Literary Supplement. | |
| Enright, A. (2021). Beckett in A Field. London Review of Books. | |
| Enright, A. (2022). Dubliners. New York Review of Books. | |
| Enright, A. (2022). Dangerous, voyeuristic, transgressive, exciting. The Guardian. | |
| Enright, A. (2022). On the Sands. London Review of Books. | |
| Dr Katherine Fama | |
| Fama, K. (2022). Home Feeling in the Heart': Domestic Feeling and Institutional Space in the American Progressive Era. Emotions: History, Culture, Society, 6(1), 78-95. doi:10.1163/2208522X-02010147 |
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| Professor Porscha Fermanis | |
| Fermanis, P. (2021). Queering the Imperial Romance: Settler Colonialism, Heteronormativity, and Interracial Intimacy in Sygurd Wisniowski’s Tikera. Nineteenth-Century Gender Studies, 17(3). | |
| Professor Anne Fogarty | |
| Fogarty, A. (2022). Memory and counter-memory in contemporary Irish historical fictions: Lia Mills’ Fallen (2015), Mary Morrissy’s The Rising of Bella Casey (2016) and Emma Donoghue’s The Pull of the Stars (2020). Irish Studies Review. doi:10.1080/09670882.2022.2129348 |
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| Dr John Gallagher | |
| Gallagher, J. J. (2021). The Six Ages of the World and Biblical Genealogy in Anglo-Saxon Encyclopaedic Notes. Neophilologus, 105(3), 437-455. doi:10.1007/s11061-021-09683-9 |
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| Gallagher, J. J. (2022). Liturgy and Learning: The Encyclopaedic Function of the Old English Martyrology. Religions, 13(3). doi:10.3390/rel13030236 |
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| Professor Eamonn Jordan | |
| Jordan, E. (2021). Capital and Class in Irish Theatre: A Twenty-First Century Critical Snapshot. InVerbis, 12(2), 25-50. doi:10.7368/103025 |
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| Dr James Little | |
| Little, J. (2022). ‘Comparative Liberty’: John Mitchel’s Jail Journal and Austin Reed’s The Life and the Adventures of a Haunted Convict. Irish University Review, 52(1), 121-132. doi:10.3366/iur.2022.0546 |
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| Dr Pedzisai Maedza | |
| Maedza, P. (2022). Santa’s Story: Performing Holocaust postmemory on the world stage. South African Theatre Journal. doi:10.1080/10137548.2022.2093266 |
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| Dr Anthony McIntyre | |
| McIntyre, A. P., & Negra, D. (2022). Of wife guys and family defenders: Towards a typology of 21st century celebrity husbands. Journal of Gender Studies. doi:10.1080/09589236.2022.2106957 |
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| McIntyre, A. P., Negra, D., & O’Sullivan, O. (2022). Sizing up the ‘Dadbod’: Fitness, age and resistance in a male body type. European Journal of Cultural Studies, 25(2), 438-447. doi:10.1177/1367549421995497 |
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| Professor Diane Negra | |
| Negra, D. (2022). ‘Pack your patience’: US air travel discourse in Summer 2022. European Journal of Cultural Studies. doi:10.1177/13675494221121678 |
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| McIntyre, A. P., & Negra, D. (2022). Of wife guys and family defenders: Towards a typology of 21st century celebrity husbands. Journal of Gender Studies. doi:10.1080/09589236.2022.2106957 |
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| Leonard, S., & Negra, D. (2022). Labour, Self -Care and Respite: Neoliberal Rationalities in Sleep Crisis Rhetoric. New Formations, 106(106), 43-59. doi:10.3898/newf:106.03.2022 |
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| Dr Harvey O'Brien | |
| O’Brien, H. (2022). Creation Myth: The Imagining of the Gothic Imagination in the Diodati Triptych: Gothic (1986), Haunted Summer (1988), and Remando al viento (1988). Gothic Studies, 24(2), 118-136. doi:10.3366/gothic.2022.0129 |
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| Dr Michelle O'Connell | |
| O’Connell, M. (2022). Posthumous Fame and Local Celebrity: The Campaign to Erect the Hemans Memorial. Women's Writing, 29(3), 448-465. doi:10.1080/09699082.2022.2080832 |
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| Dr Emma Radley | |
| Culleton, J., & Radley, E. (2021). ‘Theatre still has the power to be provocative’: An interview with Jim Culleton, Artistic Director, Fishamble: The new play company. Irish University Review, 51(2), 200-208. doi:10.3366/IUR.2021.0514 |
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| Dr Martha Shearer | |
| Shearer, M. (2021). The Comedy of Redevelopment: Romantic Comedy, Real Estate, and the “New” Times Square. Journal of Cinema and Media Studies, 60(2), 105-128. doi:10.1353/cj.2021.0005 |
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| Dr Ashley Taggart | |
| Taggart, A. (2021). The State of Us: Wars of Partition in Beckett's Endgame. IN VERBIS, 11(July-December 2021), 24 pages. | |
| Dr Paula McGrath | |
| McGrath, P. (2021). From Toni Morrison to Edna O’Brien and Nawal El Saadawi: 50 years of the best in women’s writing. Retrieved from https://www.irishtimes.com/ | |
| Dr Katherine Fama | |
| Fama, K. (2022). “Teaching Seminars in Modern American Literature,”. Ear“American Gone Wild,” Annual Conference of the Irish Association for American Studies (Online Seminar).. | |
| Assoc Professor Nerys Williams | |
| Williams, N. (2021). A Poetics of Listening: Poets at the BBC's Third Programme. Culture on The Radio. | |
| Dr Diretnan Dikwal-Bot | |
| Dikwal-Bot, D. (2021). Exploring Parental Experiences of Online Engagement with Arts and Creative Activities During the COVID-19 Pandemic. Leicester: De Montfort University. | |
| Professor Diane Negra | |
| White, M., & Negra, D. (2022). Anti-feminisms in media culture. doi:10.4324/9781003090212 |
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