Publications

 

Recent Publications include: 

Sources in Irish Art 2: A Reader

Róisín Kennedy & Fintan Cullen, Sources in Irish Art 2: A Reader, Cork Univeristy Press, October 2021. More information >>>

 

'Arentino and the Painters of Venice'

Philip Cottrell, 'Aretino and the Painters of Venice', in M. Faini & P. Ugolini (eds), A Companion to Pietro Aretino, Brill, 2021.

 

Art and the Nation State. The Reception of Modern Art in Ireland

Róisín Kennedy, Art and the Nation State. The Reception of Modern Art in Ireland, Liverpool Univeristy Press, 2021. More information >>>

 

'The Ordinary as the extraordinary: Modern sacred architecture in Germany, the United States, and Japan'

Kathleen James-Chakraborty in Ross Anderson and Maximillian Sternberg (eds), Modern Architecture and the Sacred: Religious Legacies and Spiritual Renewal, London, Bloomsbury Visual Arts, 2020.

 

'Architectural ornament by Jee, Eginton and Co.'

Conor Lucey, ‘Architectural ornament by Jee, Eginton and Co.’, The Burlington Magazine, 162:1409, August 2020.

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Sources in Irish Art 2: A Reader

Róisín Kennedy & Fintan Cullen, Sources in Irish Art 2: A Reader, Cork Univeristy Press, October 2021.

Sources in Irish Art 2: A Reader is an anthology of literary and critical sources for the study of visual art and Ireland. Divided into four sections, Art historiography, Nationalism and identity, the Wider world, and Art and text, the sources included are taken from letters, travel diaries, antiquarian writings, art dictionaries, accounts of collections, memoirs, essays, exhibition catalogues and reviews, and government enquiries. More information >>>

 

Art and the Nation State. The Reception of Modern Art in Ireland

Róisín Kennedy, Art and the Nation State. The Reception of Modern Art in Ireland, Liverpool Univeristy Press, March 2021.

Drawing on media coverage, reviews, writings and the private papers of key Irish and international artists, critics and commentators, Art and the Nation State explores the significant contribution of modern art to post-independence cultural debate and diverging notions of Irish national identity. More information >>>

 

Managing Culture: Reflecting on Exchange in Global Times

Victoria Durrer & Raphaela Henze (eds), Managing Culture: Reflecting on Exchange in Global Times, Palgrave Macmillan. 2020.

This book provides new insights into the relationship of the field of arts and cultural management and cultural rights on a global scale. More information >>>

  • Victoria Durrer and A. Gilmore, L. Jancovich, D. Stevenson (eds), Cultural Policy is Local: Understanding Cultural Policy as Situated Practice, Palgrave MacMillan (forthcoming 2022).
  • Victoria Durrer and M. McIlgorm, M. Davey, K. Murphy, Exit 15: A Creative Placemaking Project, dlr Arts Office, 2021 (available online).
  • Róisín Kennedy & Fintan Cullen, Sources in Irish Art 2: A Reader, Cork Univeristy Press, 2021.
  • Róisín Kennedy Art and the Nation State. The Reception of Modern Art in Ireland, Liverpool University Press, 2021.
  • Victoria Durrer & Raphaela Henze (eds), Managing Culture: Reflecting on Exchange in Global Times, Palgrave Macmillan. 2020.
  • Lynda Mulvin & N. Westbrook (eds), Late Antique Palatine Architecture: Palaces and Palace Culture: Patterns of Transculturation, Brepols, 2019.
  • Sean V. Leatherbury, Inscribing Faith in Late Antiquity: Between Reading and Seeing, Routledge, 2019.
  • Kathleen James-Chakraborty & Lisa Godson (eds), Modern Religious Architecture in Germany, Ireland and Beyond: Influence, Process and Afterlife since 1945, Bloomsbury, 2019.
  • Emily Mark-FitzGerald, Marguérite Corporaal & Oona Frawley (eds), The Great Irish Famine: Visual and Material Culture, Liverpool University Press, 2018.
  • Róisín Kennedy, Angela Griffith & Marguerite Helmers (eds), Harry Clarke and Artistic Visions of the New Irish State, Irish Academic Press, 2018
  • Róisín Kennedy & Riann Coulter (eds), Censoring Art: Silencing the Artwork, I.B. Tauris, 2018.
  • Conor Lucey, Building reputations: Architecture and the artisan, 1750–1830, Manchester University Press, 2018.
  • Kathleen James-Chakraborty, Modernism as Memory: Building Identity in the Federal Republic of Germany, University of Minnesota Press, 2018.
  • Róisín Kennedy & Cormac O’Malley (eds), Nobody’s Business: Aran Diaries of Ernie O’Malley, 1941-1956, Lilliput Press, 2017.
  • Lynda Mulvin & Maria Bormpoudaki, Marieke van den Doel, Wim Hupperetz, Faidra Kalafati, Lindsay Morehouse, Michael Schmauder (eds), Crossroads. Travelling through the Middle Ages, WBOOKS, Zwolle, 2017.
  • Emily Mark-FitzGerald, Irish Museums Survey, Irish Museums Association, 2016.
  • Carla Briggs, Nicola Figgis, Lynda Mulvin & Paula Murphy (eds), Art History after Françoise Henry: 50 years at UCD - 1965-2015, Gandon, 2016. 
  • Kathleen James-Chakraborty (ed.), India in Art in Ireland, Routledge, 2016.
  • Nicola Figgis (ed.), Art and Architecture of Ireland Volume II: Painting 1600-1900, Yale University Press, 2014.
  • Paula Murphy (ed.), Art and Architecture of Ireland Volume III: Sculpture 1600-2000, Yale University Press, 2014.
  • Philip Cottrell & Wolfgang Marx (eds), Death, Burial, and the Afterlife. Dublin Death Studies, Carysfort Press, 2014.
  • Kathleen James-Chakraborty, Architecture since 1400, University of Minnesota Press,  2014
  • Emily Mark FitzGerald, Commemorating the Irish Famine: Memory and the Monument, Liverpool University Press, 2013. 
  • Lynda Mulvin (ed.), A Culture of translation: British and Irish Scholarship in the Gennadius Library (1740-1840), The New Griffon 13, The Gennadius Library, American School of Classical Studies, Athens, 2012.
  • Christine Casey & Conor Lucey (eds), Decorative plasterwork in Ireland and Europe: ornament & the early modern interior, Four Courts Press, 2012.
  • Lynda Mulvin (ed.), The Fusion of Neo-Classical Principles, Dublin: Wordwell, 2012.
  • Kathleen James Chakraborty, Anne Fuchs & Linda Shortt (eds), Debating German Cultural Identity since 1989, Camden House Press, 2011.
  • Kathleen James Chakraborty & Sabine Stümper-Krobb (eds), Crossing Borders: Space Beyond Discipline, Oxford: Peter Lang, 2011.
  • Paula Murphy, Nineteenth-Century Irish Sculpture, Native Genius Reaffirmed, London: Yale University Press, 2010.
  • Karen E. Brown (ed.), Women's Contributions to Visual Culture, 1918-1939, Aldershot: Ashgate Publishing, 2008.
  • Michael McCarthy & Karina O'Neill (eds), Studies in the Gothic Revival, Dublin: Four Courts Press, 2008.

 

  • Philip Cottrell, ''Thence comes it that my name receives a brand': Tintoretto's Nickname Reconsidered', in M. Lillywhite & T. Nichols (eds), Jacopo Tintoretto: Identity, Practice and Meaning, Viella (forthcoming 2022).
  • Sean Leatherbury, 'Iconography of Early Christian Roman Art', in Lea K. Cline & Nathan Elkins (eds), The Oxford Handbook of Roman Imagery and Iconography, Oxford University Press (forthcoming 2022).
  • Philip Cottrell, 'Leonardo's Skulls', in J Imbert (ed.), The Great Skulls Project, Uroboros Basilisco, Mexico City, (forthcoming 2022).
  • Sean Leatherbury, 'Iconoclasm and/as repair', RES: Anthropology and Aesthetics, 75/76 (Spring-Autumn 2021, forthcoming). 
  • Victoria Durrer and A. McGrath, P. Campbell, 'Dancing with Epistemic Borders: Knowledge and unknowns in mixed-methods PaR collaborations between dance and social science', Performance Research, 26 (3), 2021. 
  • Lynda Mulvin, 'The Construction and Decoration of Cormac’s Chapel at Cashel: Some Recent Observations ‘After’ Professor Roger Stalley' in D. O'Donovan & N. NicGhabhann (eds), Mapping New Territories in Art and Architectural Histories Essays in honour of Roger Stalley, Brepols (forthcoming 2021).
  • Róisín Kennedy, 'Painting and Materiality: The Work of Nano Reid', in N. O’Donnell and A. Ruane (eds), Nano Reid Adamantine, Highlanes Gallery, 2021.
  • Philip Cottrell, 'Aretino and the Painters of Venice', in M. Faini & P. Ugolini (eds), A Companion to Pietro Aretino, Brill, 2021.
  • Sean Leatherbury, 'Decorated Walls, Description, and Cultural Memory between Byzantium, Persia, and Early Islam', Convivium, 8.2, 2021.
  • Kathleen James-Chakraborty, 'Postcolonial Thought and the Emergence of Global Architectural Histories', in Oxford Research Encyclopedia of Literature, Oxford University Press, 2021.
  • Kathleen James-Chakraborty, 'Accreditation Requirements and the Global History of Architecture', Journal of the Society of Architectural Historians, 80, 2021.
  • Annette Clancy and J. Cullen, A. Hood, C. McGuinness, 'Teaching Perspectives on Experiential Learning in Large Classes', Journal of Management Education, 45(5), pp. 685–689.
  • Annette Clancy and J. Cullen, A. Hood, C. McGuinness, 'Student Engagement With Experiential Learning in Large Classes', Journal of Management Education, 45(3), pp. 340–343.
  • Philip Cottrell, ''A course of wandering picture hunting': George Scharf's Survey of English Country House Collections 1856-7', in T. Dooley & C. Ridgway (eds), Country House Collections - Their Lives and Afterlives, Four Courts Press, 2021.
  • Sean V. Leatherbury, 'Iconoclasm and/as Repair', Res: Anthropology and Aesthetics, 75/76, 2021.
  • Lynda Mulvin, 'Extra-illustrations to Charles Robert Cockerell’s Ionian Antiquities and James Cavanah Murphy’s Arabian Antiquities of Spain in the collections of the Gennadius Library and the Yale Center for British Art', Journal of Illustration, 8:1, 2001.
  • Lynda Mulvin, 'Continuity and Change and the nature of Late Gothic in Ireland as manifest in certain architectural processes in Franciscan Friaries in Connacht, West of Ireland 1400-1600, EAHN Edinburgh Published Proceedings 2021.
  • Róísín Kennedy, Review of Thomas MacGreevy and the Rise of the Irish Avant-garde by Francis Hutton-Williams, Burlington Magazine, June 2021.
  • Emily Mark-FitzGerald, 'Deoldifying Ireland', History Ireland, 29:3, May-June 2021.
  • Emily Mark-FitzGerald, 'The Khmer Rouge controversy: Why colourising old photos is always a falsification of history', Irish Times, 14 April 2021.
  • Emily Mark-FitzGerald, 'Tinted History', Source Magazine, Issue 104, Spring 2021.
  • Conor Lucey, Review of The Tastemakers: British Dealers and the Anglo-Gallic Interior, 1785–1865 by Diana Davis (Los Angeles: Getty Research Institute, 2020), H-France Review,  Vol.21, March 2021.
  • Philip Cottrell, 'L’arte del secolo XVI', in R. Lightbown & P. Vaisse (eds), Arte Moderna, Jaca, 2020.
  • Victoria Durrer & Grant, D., 'Collapsing Time: LGBTQ+ Rights in Northern Ireland, A Queer Céilí at the Marty Forsythe', Scene, 8:1-2, December 2020.
  • Victoria Durrer & Grant, D., 'Living and Learning' An Evaluation of the Playhouse Theatre & Peacebuilding Academy, Report, December 2020.
  • Sean V. Leatherbury, 'Reading, Viewing, and Inscribing Faith: Christian Epigraphy in the Early Umayyad Levant', in M. Lauxtermann and I. Toth (eds), Inscribing Texts in Byzantium: Continuities and Transformations, Routledge, 2020.
  • Kathleen James-Chakraborty, 'The Ordinary as the extraordinary: Modern sacred architecture in Germany, the United States, and Japan', in Ross Anderson and Maximillian Sternberg (eds), Modern Architecture and the Sacred: Religious Legacies and Spiritual Renewal, London, Bloomsbury Visual Arts, 2020.
  • Kathleen James-Chakraborty, 'Belfield’s International Context', in Finola O’Kane & Ellen Rowley (eds), Making Belfield: Space and Place at UCD, Dublin, University College Dublin Press, 2020.
  • Victoria Durrer & Cuyler, A. & Nisbett, M., 'Steadfastly White, Female, Hetero, and Able-Bodied: An International Survey on the Motivations and Experiences of Arts Management Graduates', International Journal of Arts Management, 22(3), 2020.
  • Conor Lucey, 'Urban elegance or architectural rubbish?’, Architecture Ireland, 312, 2020.
  • Conor Lucey, 'Architectural ornament by Jee, Eginton and Co.’, The Burlington Magazine, 162:1409, August 2020.
  • Conor Lucey, Review of Rich Specimens of Architectural Beauty: John Preston Neale’s Irish Country Houses by Kevin Mulligan (Churchill House Press, 2020), Irish Arts Review, 34:3, Autumn 2020.
  • Annette Clancy, 'On mothering and being mothered: A personal reflection on women's productivity during COVID-19', Gender, Work & Organization, 27, June 2020.
  • Róísín Kennedy, 'Humans and Other Animals': Review of Janet Mullarney, Catherine Marshall and Mary Ryder (eds) (Irish Academic Press), Dublin Review of Books, May 2020.
  • Lynda Mulvin, 'Travels of Neoclassical Artists and “Imitation” of the Antique: Robert Wood (1717-71) and Approaches to the Ruins of Palmyra and Baalbek as Journeys through Space and Time', Distance Looks Back, Society of Architectural Historians of Australia and New Zealand 2019, (2020).
  • Kathleen James-Chakraborty, 'Sonia Delaunay: Media or Message?', in R. Schuldenfrei (ed.), Iteration: Episodes in the Mediation of Art and Architecture, Routledge, 2020.
  • Philip Cottrell, 'George Scharf and the 1857 Manchester Art Treasures Exhibition', The Burlington Magazine, 162:1405, April 2020.
  • Lynda Mulvin, 'Architecture, Innovation and Economy in the Late Roman Danube-Balkan Region: Palaces and ‘Productive Villas’ from Pannonia', in L. Mulvin & N. Westbrook (eds), Late Antique Palatine Architecture: Palaces and Palace Culture: Patterns of Transculturation, Brepols, 2019.
  • Kathleen James-Chakraborty, 'Response to Murray Fraser', ABE Journal: Architecture Beyond Europe, 16, 2019. (https://journals.openedition.org/abe/6954, posted 25 March 2020)
  • Kathleen James-Chakraborty, 'The Diversity of Women’s Engagement with Modern Architecture and Design: Three Case Studies', The Plan Journal, 2, 2019.
  • Róísín Kennedy, 'Kathy Prendergast Waiting', in 'Four Decades of Irish Sculpture', Visual Artists' News Sheet | Special Issue: March – April 2020.
  • Sean Leatherbury, 'Reading, viewing, and inscribing faith: Christian epigraphy in the early Umayyad Levant', in Marc D. Lauxtermann & Ida Toth (eds), Inscribing Texts in Byzantium: Continuities and Transformations, Routledge, 2020.
  • Annette Clancy, ‘How to Recognise and Eliminate Groupthink’. Accountancy Ireland, 52, 2020.
  • Conor Lucey, ‘Marketing the necessary comforts in Georgian Dublin’, in J. Stobart (ed.), The Comforts of Home in Western Europe, 1700–1900, Bloomsbury Academic, 2020.
  • Lynda Mulvin, 'A Pioneer of "Moresque" Revival in Continental Europe: James Cavanah Murphy (1760–1814)',  Art in Translation, Volume 11, 2019 - Issue 2: The Protagonists of the Moorish Revival: Translating Ibero-Islamic Heritage in Eighteenth- and Nineteenth-Century Europe.
  • Annette Clancy, 'Office Design: Why Customisation is Key’. Accountancy Ireland, 51, 2019.
  • Pat Cooke, 'Material presence and virtual representation: the place of the museum in a globalised world', in M. O'Neill & G. Hooper (eds), Connecting Museums, Routledge, 2019.
  • Annette Clancy, 'Psychological Safety at Work', Accountancy Ireland, 51, 2019.
  • Kathleen James-Chakraborty, 'Beyond the Confederacy: Who Remembers What When in Berlin and Richmond?', English Language Notes, 57 (October 2019).
  • Lynda Mulvin, 'West-to-East Migration and the Dynamics of Celtic Monasteries in a European Context', in H. Kilper, W. Lorenz & K. Rheidt (eds), Migration und Baukultur Transformation des Bauens durch individuelle und kollektive Einwanderung Kulturelle und technische Werte historischer Bauten, Basel, Birkhäuser, 2019.
  • Kathleen, James-Chakraborty, 'The Place of Faith: Accommodating Religious Minorities in a the German and Irish Cityscape', in Burcu Dogramaci & Birgit Mersmann (eds), Handbook of Art and Global Migration: Theories, Practices, and Challenges, Berlin, De Gruyter, 2019.
  • Lynda Mulvin, 'The Diffusion of a Celtic artistic aesthetic in the Art and Architecture of Continental Europe in the Early Middle Ages' in Gisela Holfter & Bettina Migge (eds), Ireland in the European Eye, Dublin, Royal Irish Academy, 2019.
  • Kathleen James-Chakraborty, 'Dan Graham, beyond walls', in Miranda Driscoll, Adrian Duncan & Niamh Dunphy (eds), One Here Now: The Brian O’Doherty Patrick Ireland Project, Cobh, Sirius Arts Centre, 2019.
  • Annette Clancy, ‘Motivating Staff with Gratitude’, Accountancy Ireland, April 2019.
  • Conor Lucey, ‘From reportage to ridicule: satirizing the building industry in the eighteenth-century Irish press’, in M. Rosso (ed.), Laughing at architecture: architectural histories of humour, satire and wit, Bloomsbury Visual Arts, 2019.
  • Róisín Kennedy, ‘Harry Clarke's Windows for Diseart Chapel, Presentation Convent, Dingle', The Kerry Magazine Kerry Archaeological and Historical Society, 29, 2019.
  • Annette Clancy, ‘Developing a Coaching Culture’, Accountancy Ireland, February, 2019
  • Kathleen James-Chakraborty, ‘Architecture, Its Histories, and their Audiences’, Journal of the Society of Architectural Historians 77, 2018.
  • Lynda Mulvin, 'An Unknown Collection of Preliminary Drawings and Extra Illustrations Prepared for The Arabian Antiquities of Spain by James Cavanah Murphy in the Gennadius Library, Athens', Muqarnas: An Annual on the Visual Cultures of the Islamic World, Volume: 35, 2018.
  • Emily Mark-FitzGerald, ‘Famine Memory and its Industries: Genealogies of Representation’, in Marguérite Corporaal, Oona Frawley, and Emily-Mark-FitzGerald (eds), The Great Irish Famine: Visual and Material Culture, Liverpool University Press, 2018.
  • Róisín Kennedy, 'The Geneva Window: A Precious Gift, Never Given', in A. Griffith, M. Helmers & R. Kennedy (eds), Harry Clarke and Artistic Visions of the New Irish State, Irish Academic Press, 2018
  • Kathleen James-Chakraborty, 'A Whisper Rather than a Shout: Ursula Wilms and Heinz Hallmann’s Topography of Terror', in Deborah Ascher Barnstone and Elizabeth Otto (eds) Art and Resistance in Germany, New York: Bloomsbury Visual Arts, 2018.
  • Kathleen James-Chakraborty, 'Von der Leinwand zum Körper: Die Kleiderentwürfe von Sonia Delaunay’, in Karl R. Kegler, Anna Minta and Niklas Naehrig (eds) RaumKleider: Verbindungen zwischen Architekturraum, Körper und Kleid, Bielefeld, transcript, 2018.
  • Kathleen James-Chakraborty, 'Architecture as a Fine Art: The Implications for the Writing of Architectural History’, Architectural Journal 595 (2018) [published in Chinese].
  • Lynda Mulvin, 'Cyrene and Apollonia: The Classical urban plan as a measure of opposites', in S Martin-McAuliffe and D Millette (eds) Ancient and urban planning in the Mediterranean, New Research Directions, Routledge 2018.
  • Philip Cottrell, ‘After Bartolomeo Manfredi – The Card Players’; ‘Pompeo Batoni – Time Orders Old Age to Destroy Beauty’; ‘Van Honthorst - Concert’,  in Corinna Ricasoli (ed.), The Living Dead: Ecclesiastes Through Art, Paderborn, 2018.
  • Kathleen James-Chakraborty, 'Darmstadt in Context — Architecture and Design Reform c 1900', in “Eine Stadt müssen wir erbauen, eine ganze Stadt!,” Die Künsterkolonie Darmstadt auf der Mathildenhöhe, Wiesbaden: Landesamt für Denkmalpflege, 2017.
  • Kathleen James-Chakraborty, 'Is Modern Architecture Good?', in Peter Voggler & Stefan Graf (eds), Architecture in Asmara: Colonial Origin and Postcolonial Experience, Berlin: Dom, 2107.
  • Lynda Mulvin, 'Sir Hugh Lane (1875-1915), Harold Ainsworth Peto (1854-1933), James Miller (1860-1947) and the designs of the Cunard Liners RMS Lusitania and RMS Mauretania', in B. Dawson & J. O'Donnell (eds) Sir Hugh Lane 'That Great Pictured Song', Dublin City Gallery The Hugh Lane, 2017.
  • Lynda Mulvin, 'Identity and Shifting Attitudes in Medieval Europe', in Crossroads. Travelling through the Middle Ages, WBOOKS, Zwolle (Sept, 2017)
  • Lynda Mulvin, 'Ireland and Europe: Transmission of Celtic Aesthetic in the Early Middle Ages', in Crossroads. Travelling through the Middle Ages, WBOOKS, Zwolle (Sept, 2017).
  • Lynda Mulvin, W. Hupperetz & M. Schmauder, 'Crossroads Travelling through the Middle Ages, AD 300-1000', in Crossroads. Travelling through the Middle Ages, WBOOKS, Zwolle (Sept, 2017).
  • Róisín Kennedy, 'Visual Culture and the Irish Revolution', 'The Easter Lily’, 'The Death of Cúchulainn in the GPO', in ed. John Crowley, Donal O’Drisceoil, Mike Murphy and John Borgonovo, Atlas of the Irish Revolution, Cork University Press (Sept, 2017).
  • Kathleen James-Chakraborty, 'Exiles and Immigration', Very Vary Veri, 5: 2017.
  • Kathleen James-Chakraborty, 'Schocken Department Store: ‘The Art of a Master'', in Twentieth-Century Architecture (Vol 4, The Companions to the History of Architecture), Wiley/Blackwell, 2017.
  • Emily Mark-FitzGerald, 'Known unknowns: research on Irish museums seince 2008', Cultural TrendsVol. 26, Issue 3, 2017.
  • Carla Briggs, 'Out of the Shadows', Irish Arts Review, 34: 2, summer 2017.
  • Conor Lucey, 'Making Magnificence: architects, stuccatori and the eighteenth-century interior’, book review, Irish Arts Review, 34: 2, summer 2017'
  • Róisín Kennedy, 'Art, Nature and Modernity in the work of Jack B. Yeats and Paul Henry', in Jack B. Yeats and Paul Henry: Contrasting Visions of Ireland, Hunt Museum, Limerick, June 2017.
  • Carla Briggs, 'Margaret Clarke (1884-1961) An Independent Spirit', in Margaret Clarke An Independent Spirit, National Gallery of Ireland, May 2017.
  • Emily Mark-FitzGerald, Co-Editor: Irish Journal of Arts Management & Cultural Policy, Volume 4 (April 2017).
  • John Loughman, 'Clara Peeters. Antwerp and Madrid', exhibition review, The Burlington Magazine, CLIX, No. 1368, March 2017.
  • John Loughman, Dutch Art and Urban Cultures 1200-1700 by E. de Bièvre, book review, The Burlington Magazine, CLIX, No. 1367, February 2017.
  • Conor Lucey, ‘William Salmon’, British bronze sculpture founders and plaster figure makers, 1800-1980, National Portrait Gallery, London, (Jan, 2017: read here).
  • Paula Murphy, Entre Deux Rondes: sculpture, ballet, museum, in Art History after Françoise Henry: 50 years at UCD 1965-2015, Gandon Editions, 2016.
  • Lynda Mulvin, 'Collectors and Collecting: the classical tradition in Ireland', in Art History after Françoise Henry: 50 years at UCD 1965-2015, Gandon Editions, 2016.
  • Emily Mark-FitzGerald, 'Irish migration and the museum: histories of public history-making', in Art History after Françoise Henry: 50 years at UCD 1965-2015, Gandon Editions, 2016.
  • John Loughman, 'Jacob Jordaens’ Dublin Veneration Reassessed', in Art History after Françoise Henry: 50 years at UCD 1965-2015, Gandon Editions, 2016.
  • Róisín Kennedy, 'Native traditions and modern imperatives: Mexico and Ireland in the imagination of Ernie O’Malley', in Art History after Françoise Henry: 50 years at UCD 1965-2015, Gandon Editions, 2016.
  • Kathleen James-Chakraborty, 'Louis Kahn’s Yale Center for British Art: an Irish perspective', in Art History after Françoise Henry: 50 years at UCD 1965-2015, Gandon Editions, 2016.
  • Nicola Figgis, ''Sailing to Byzantium': Irish antiquarians and Sicily', in Art History after Françoise Henry: 50 years at UCD 1965-2015, Gandon Editions, 2016.
  • Pat Cooke, 'The Beit paintings controversy and the boundary between public policy and private interests', in Art History after Françoise Henry: 50 years at UCD 1965-2015, Gandon Editions, 2016.
  • Philip Cottrell, ‘The Kid Stays in the Picture’: John, Judas, and the Malchus episode in Caravaggio’s Taking of Christ', in Art History after Françoise Henry: 50 years at UCD 1965-2015, Gandon Editions, 2016.
  • Carla Briggs, 'Metamorphoses: a history of art history at UCD', in Art History after Françoise Henry: 50 years at UCD 1965-2015, Gandon Editions, 2016.
  • Róisín Kennedy, 'Flamboyant, Gothic, Romanesque: Art and Revolution in the mind of Ernie O’Malley’, in Modern Ireland and Revolution: Ernie O’Malley in Context, Irish Academic Press, 2016.
  • John Loughman, 'Adriaen van de Velde (Amsterdam and London)', exhibition review, The Burlington Magazine,  CLVIII, No. 1364, November 2016.
  • Róisín Kennedy, 'Out of Step. Michael Kane, modernism and Irish art history', in Hugh Lane Dublin City Gallery exhibition catalogue, Michael Kane: Modality of the Visible, 2016.
  • Róisín Kennedy, 'Art and Uncertainty: Painting in Ireland 1912-1923' in Brendan Rooney (ed.) Creating History. Stories of Ireland in Art, Irish Academic Press, 2016.
  • Emily Mark-FitzGerald, ‘The Persistence of Vision: Picturing Eviction in the Nineteenth Century’ in Brendan Rooney (ed.) Creating History. Stories of Ireland in Art, Irish Academic Press, 2016.
  • Róisín Kennedy, four entries in Fintan O'Toole (ed.) Modern Ireland in 100 artworks, Royal Irish Academy, 2016.
  • Nicola Figgis, 'The Contribution of Foreign Artists to Cultural Life in eighteenth-century Dublin', in Jane Fenlon, Ruth Kenny, Caroline Pegum and Brendan Rooney (eds) Irish Fine Art in the Early Modern Period: New Perspectives on Artistic Practice 1620-1820, Irish Academic Press, 2016
  • Róisín Kennedy, 'Storm in a Teacup: Irish Modernist Art', in Paige Reynolds (ed.) Modernist Afterlives in Irish Literature and Culture, Anthem Press, 2016.
  • Conor Lucey, 'Owen Biddle and Philadelphia’s real estate market, 1798-1806’, Journal of the Society of Architectural Historians, 75:1, 2016.
  • Kathleen James-Chakraborty, ‘Architecture in Transit: Three High-Tech Historicist Airports’ in Anne Fuchs & J.J. Long (eds), Time in German Literature and Culture, 1900-2015, Pallgrave Macmillan, 2016.
  • Kathleen James-Chakraborty, 'Reconstructing faith', Architectural Review, May 2016.
  • Kathleen James-Chakraborty, 'Gesamtkunstwerk and Gender: From Domesticity to Branding and Back Again' in Cartsen Ruhl, Chris Dähne & Rixt Hoekstra (eds), The Death and Life of the Total Work of Art: Henry Van de Velde and the Legacy of a Modern Concept, Jovis, 2015.
  • Kathleen James-Chakraborty, 'Beyond the masters: modernism in South Asian architecture' in Stephen Ross & Allana Lindgren (eds), The Modernist World, Routledge, 2015.
  • Pat Cooke, 'History, materiality and the myth of 1916' in Lisa Godson & Joanna Brück (eds), Making 1916: material and visual culture of the Easter Rising, Liverpool University Press, 2015.
  • Róisín Kennedy, 'The Capuchin Annual: visual arts and the legacy of 1916, one generation on' in Lisa Godson & Joanna Brück (eds), Making 1916: material and visual culture of the Easter Rising, Liverpool University Press, 2015.
  • Kathleen James-Chakraborty, Editorial, ABE Journal: Architecture Beyond Europe, 7, 2015.
  • Kathleen James-Chakraborty, 'The use of ruins in postwar German church reconstruction' in JoAnne Mancini & Keith Bresnahan (eds), Architecture and Armed Conflict: The Politics of Destruction, Routledge, 2014.
  • Kathleen James-Chakraborty, 'Louis Kahn in Ahmedabad and Dhaka', ABE Journal: European Architecture beyond Europe, July 2014.
  • Kathleen James-Chakraborty, 'Reinforced concrete in Louis Kahn’s National Assembly in Dhaka'Frontiers of Architectural Research, March 2014.
  • Philip Cottrell, 'John Donne, Undone, Redone: The John Donne Monument in St Paul’s Cathedral London Reconsidered’ in Philip Cottrell & Wolfgang Marx (eds.), Death, Burial, and the Afterlife - Dublin Death Studies, Carysfort Press, 2014.
  • Emily Mark-FitzGerald, 'Photography and the Visual Legacy of Famine', in Memory Ireland Volume 3: Memory Cruxes: The Famine and The Troubles, Syracuse University Press, 2014.
  • Philip Cottrell, 'Parrasio Micheli's St Francis: a lost work from the Palazzo dei Camerlenghi, Venice' The Burlington Magazine, CLVI, No. 1332, March 2014.
  • Philip Cottrell, 'Painting Poetry: Bonifacio de' Pitati's Triumphs of Petrarch', Artibus et Historiae, Vol. XXXIV, No. 68, 2014.
  • Kathleen James-Chakraborty, 'Chinese Art History as Contemporary Art History: An Outsider’s Perspective' in Shane McCausland and Yin Hwang, On Telling Images of China: Essays in Narrative Painting and Visual Culture, Hong Kong University Press, 2013.
  • Kathleen James-Chakraborty, 'Beyond postcolonialism: New Directions in the history of nonwestern architecture', Frontiers of Architectural Research, November 2013.
  • Paula Murphy, 'Jason Ellis, Corpus', Irish Arts Review, Autumn 2013.
  • Pat Cooke, 'The Artist and the State in Ireland: artist autonomy and the arm's length principle in a time of crisis', Canadian Journal of Irish Studies, 37 (1&2), August 2013.
  • Pat Cooke, 'Stabilising cultural policy: A review of the departmental and non-departmental structures for cultural administration in Ireland', Administration, 61 (1), May 2013.
  • Kathleen James-Chakraborty & Rachel Lee, 'Marg Magazine: A Tryst with Architectural Modernity: Modern Architecture as seen from an independent India', ABE Journal: European Architecture beyond Europe, February 2013.
  • Pat Cooke, 'The National Museum of Ireland: an ideological history', The Australasian Journal of Irish Studies, 12, December 2012.
  • Philip Cottrell, 'Art Treasures of the United Kingdom and the United States: the George Scharf Papers', Art Bulletin, XCIV, December 2012.
  • John Loughman, 'Domestic Bliss? Images of the family and the home in seventeenth-century Dutch art', in T. Nakamura (ed.), Art and the Intimate Sphere, Kyoto: Kyoto University Press, 2012.
  • Emily Mark-FitzGerald, 'The Irish Famine and Commemorative Culture', in Lindsay Janssen, Vincent Comerford and Christian Noack (eds), The Irish and the Ukrainian Famine: New Sources and New Approaches. London: Anthem Press, 2012.
  • Kathleen James-Chakraborty, 'From Chicago to Berlin and Back Again', in Mary Jane Jacob and Jacquelyn Bass (eds), Chicago Makes Modern: How Creative Minds Changed Society, University of Chicago Press, 2012.
  • Emily Mark-FitzGerald, "The 'Irish Holocaust': Historical Trauma and the Commemoration of the Famine", in The Visual Politics of Psychoanalysis in a Post-traumatic World, ed. G. Pollock, IB Tauris, 2012.
  • Conor Lucey, ‘Keeping up appearances: redecorating the domestic interior in late eighteenth-century Dublin’, in Elizabeth Fitzpatrick & James Kelly (eds), Domestic Life in Ireland, Royal Irish Academy, 2012.
  • Conor Lucey, 'Building dialectics: urban scenography in late Georgian Dublin', in Gillian O’Brien and Finola O‘Kane (eds), Portraits of the City: Dublin and the Wider World, Four Courts Press, 2012.
  • Kathleen James-Chakraborty,  'Beyond Cold War Interpretations: Shaping a New Bauhaus Heritage', New German Critique 116 (Summer 2012).
  • Kathleen James-Chakraborty, 'Between Revolution and Reform: The Bauhaus in Context, 1919-23', in Barbican Art Gallery, Bauhaus: Art as Life, König Books, 2012.
  • Róisín Kennedy, Review of The Story of Irish Museums 1790-2000 by M. Bourke [Cork University Press, 2011], Burlington Magazine, CLIV, March 2012
  • Pat Cooke, 'Imperious post-colonialism: dealing with the National Museum of Ireland's non-European collections in a Free State’, in S. Ó Síocháin, P.Garvey and A Drazin (eds), Exhibit Ireland: ethnographic collections in Irish Museums, Wordwell, 2012.
  • Lynda Mulvin, 'Charles Robert Cockerell, Francis Johnston and the dissemination of Neo-Classical principles', in L. Mulvin (ed.) The Fusion of Neo-Classical Principles, Dublin: Wordwell, 2012.
  • Kathleen James-Chakraborty, 'Neo-Classical commodities: from Coade Stone to the fall of the Wall and beyond', in L. Mulvin (ed.) The Fusion of Neo-Classical Principles, Dublin: Wordwell, 2012.
  • Conor Lucey, ‘Pattern books and pedagogies: neo-classicism and the Dublin artisan’ in L. Mulvin (ed.) The Fusion of Neo-Classical Principles, Dublin: Wordwell, 2012.