• General
  • Imaging 'Others'
  • The Political Economy of News Media Production & Consumption
  • Conflict Photography & Northern Ireland
  • Photojournalism: America at War
  • Photography & Human Rights
  • Ethics & Vision
  • Imaging 'Africa'
  • The Globalization of War & Conflict Imagery
  • Vietnam War Photography
  • The Great War: Photography on the Western Front


    Ang, T.  2000.  Picture Editing.  Focal Press.

    Benthall, J.  1993.  Disasters, Relief and the Media.  I.B. Tauris.

    Boltanski, L.  1999.  Distant Suffering: Morality, Media & Politics.  Cambridge University Press.

    Bolton, R., ed.  1992.  The Contest of Meaning: Critical Histories of Photography.  MIT Press.

    Burgin, V., ed.  1982.  Thinking Photography.  Macmillan.

    Burnett, R.  1995.  Cultures of Vision: Images, Media and the Imaginary.  Indiana University Press.

    Cassell, D.  1997.  The Photographer and the Law.  BFP Books.

    Chouliaraki, L.  2006.  The Spectatorship of Suffering.  Sage Publications.

    Cohen, S.  2001.  States of Denial: Knowing About Atrocities and Suffering.  Polity Press.

    Debord, G.  1998.  Comments on the Society of the Spectacle.  Verso.

    Debord, G.  1994.  The Society of the Spectacle.  Zone Books.

    Louw, P. E.  2001.  The Media and Cultural Production.  Sage Publications.

    Marinovich, G. & J. Silva.  2000.  The Bang-Bang Club: Snapshots from a Hidden War.  William Heinemann.

    McCullin, D.  1992.  Unreasonable Behaviour.  Vintage.

    McLuhan, M.  1994.  Understanding Media: The Extensions of Man.  MIT Press.

    Meachim, S., D. Richards & O. Williams.  1992.  Focus for Change: Class, Gender and Race Inequality and the Media in an International Context.  Focus for Change.

    Minear, L., C. Scott & T. Weiss.  1996.  The News Media, Civil War and Humanitarian Action.  Lynne Rienner.

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    Mirzoeff, N, ed.  1999.  Diaspora and Visual Culture: Representing Africans and Jews.  Routledge.

    Mitchell, W. J. T.  1994.  Picture Theory: Essays on Verbal and Visual Representation.  University of Chicago Press.

    Moeller, S.  1999.  Compassion Fatigue : How the Media Sell Disease, Famine, War and Death.  Routledge.

    Perlmutter, D. D.  1998.  Photojournalism and Foreign Policy: Icons of Outrage in International Crises.  Praeger.

    Prosser, J.  2005.  Light in the Darkroom.  University of Minnesota Press.

    Rachlin, A.  1988.  News as Hegemonic Reality: American Political Culture and the Framing of News Accounts.  Praeger.


    Bhabha, H.  1994.  The Location of Culture.  Routledge.

    Burman, E.  1994.  “Innocents Abroad: Western Fantasies of Childhood and the Iconography of Emergencies,” Disasters 18 no. 3: 238-53.

    Butler, J. 1997.  Excitable Speech: A Politics of the Performative.  Routledge.

    Campbell, D.  2002.  "Atrocity, Memory, Photography: Imaging the Concentration Camps of Bosnia- the Case of ITN Vs. Living Marxism Part 1." Journal of Human Rights 1, no. 1: 1-33.

    Campbell, D.  2007.  "Geopolitics and Visuality: Sighting the Darfur Conflict." Political Geography 26, no. 4: 357-82.

    Campbell, D.  2003.  "Salgado and the Sahel: Documentary Photography and the Imaging of Famine" in Rituals of Mediation: International Politics and Social Meaning, C. Weber and F. Debrix eds., 69-96.  University of Minnesota Press.

    Derrida, J. & B. Stiegler.  2002.  Echographies of Television.  Polity Press.

    Doty, R. L.  1996.  Imperial Encounters: The Politics of Representation in North-South Relations.  University of Minnesota Press.

    Edkins, J.  2000.  Whose Hunger?  Concepts of Famine, Practices of Aid.  University of Minnesota Press.

    Feldman, A.  1994.  "On Cultural Anesthesia: From Desert Storm to Rodney King." American Ethnologist 21, no. 2: 404-18.

    Fiske, J.  1996.  Media Matters: Race and Gender in Us Politics.  University of Minnesota Press.

    Pieterse, J. N.  1992.  White on Black: Images of Africa and Blacks in Western Popular Culture.  Yale University Press.

    Poole, D.  1997.  Vision, Race and Modernity: A Visual Economy of the Andean Image World.  Princeton University Press.

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    Ryan, J. & J. Schwartz, eds.  2003.  Picturing Place: Photography and the Geographical Imagination.  I.B. Tauris.

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    Tierney, K., C. Bevc & E. Kuligowski.  2006.  "Metaphors Matter: Disaster Myths, Media Frames, and Their Consequences in Hurricane Katrina." The Annals of the American Academy 604: 57-81.

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    Carruthers, S.  2000.  The Media at War: Communication and Conflict in the 20th Century.  Macmillan.

    Herman, E. & N. Chomsky. 1994.   Manufacturing Consent: The Political Economy of the Mass Media.  Vintage.

    Klinenberg, E. & C. Benzecry.  2005.  “Cultural Production in Digital Age”.  The Annals of the American Academy of Political and Social Science 597: 6-18.

    Lemos, J.  2005.  “Down to the Wire: Independent News Agencies Strive to Be Noticed”  Photo Media Group -

    Purdey, H. & J. Owen eds.  2008.  International Reporting: Frontlines & Deadlines.  Blackwell Publishing.

    Robinson, P.  2001.  "Operation Restore Hope and the Illusion of a News Media Driven Intervention." Political Studies 49: 941-56.

    Robinson, P.  2001.  "Theorizing the Influence of Media on World Politics." European Journal of Communication 16, no. 4: 523-44.


    Butler, D.  1996.  The Trouble with Reporting Northern Ireland: The British State, the Broadcast Media and Nonfictional Representation of the Conflict.  Brookfield.

    Campany, D.  2003.  "Safety in Numbness: Some Remarks on Problems of Late Photography," in Where is the Photograph?  David Green ed.  Photoworks/Photoforum: 123-132.

    Carville, J.  2001.  "Renegotiated Territory: The Politics of Space, Place and Landscape in Irish Photography."  Afterimage July/August: 5-9.

    Curtis, L.  1993.  Interference on the Airwaves: Ireland, the Media and the Broadcasting Ban.  NUJ.

    Curtis, L.  1984.  Ireland: The Propaganda War.  Pluto.

    Curtis, L.  1984.  Nothing But the Same Old Story: The Roots of Anti-Irish Racism.  Information on Ireland.

    Dawson, G.  2005.  "Trauma, Place and the Politics of Memory: Bloody Sunday, Derry, 1972-2004".  History Workshop Journal 59: 151-178.

    Duncan, J.  1999.  Be Prepared.  Stills Gallery.

    Feldman, A.  1991.  Formations of Violence: The Narrative of the Body and Political Terror in Northern Ireland.  University of Chicago Press.

    Flusser, V.  2000.  Towards a Philosophy of Photography.  Reaktion.

    Graham, C.  2005.  "Every Passerby a Culprit?: Archive Fever, Photography and Peace in Northern Ireland."  Third Text 76: 567-580.

    Hamilton-Tweedale, B.  1987.  The British Press and Northern Ireland: A Case Study in the Reporting of Violent Political Conflict.  University of Sheffield Press.

    Haughey, A.  2005.  Disputed Territories.  DIT/Gallery of Photography.

    Jarman, N.  1997.  Material Conflicts: Parades and visual displays in Northern Ireland.  Berg.

    Jarman, N.  1995.  Lie of the Land .  Gallery of Photography.

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    Lloyd, D.  2003.  “Ruination: Partition and the Expectation of Violence (on Allan deSouza’s Irish Photography)”.  Social Identities 9, no. 4 (December): 475-509.

    Miller, D.  1994.  Don't Mention the War: Northern Ireland, Propaganda and the Media.  Pluto Press.

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    Parkinson, A.  1999.  Revealing Views: Images from Ireland.  Royal Festival Hall.

    Rolston, B. ed.  1991.  The Media and Northern Ireland: Covering the Troubles.  Gill & MacMillan.

    Rolston, B. and D. Miller, eds.  1996.  War and Words:  The Northern Ireland Media Reader

    Seawright, P.  1995.  Inside Information.  London Photographers Gallery.

    Seawright, P.  2000.  Paul Seawright.  University of Salamanca Press.

    Seawright, P.  2005.  Field Notes.  Antwerp Photo Museum.

    Sloan, V.  2000.  Victor Sloan: Selected Works, 1980-2000.  Dublin & York Open Air and Impressions Gallery.

    Taylor, J.  1991.  "Northern Ireland and Terrorism" in War Photography: Realism in the British Press.  Routledge.

    Ziff, T., ed.  2002.  Hidden Truths: Bloody Sunday 1972.  Smart Press.


    “War and Photography”.  2004.  Afterimage 31, no. 6 (May/June).

    Burrows, L.  2002.  Larry Burrows: Vietnam.  Knopf.

    Carlebach, M.  1992.  The Origins of Photojournalism in America.  Smithsonian.

    Dauber, C. E.  2001.  “The Shots Seen ‘Round the World: The Impact of the Images of Mogadishu on American Military Operations”.  Rhetoric and Public Affairs 4, no. 4: 653-87.

    Duncan, D. D.  1951.  This is War!  Harpers.

    Fulton, M.  1988.   Eyes of Time: Photojournalism in America.  Litele Brown.

    Grifin, M.  1999.  “The Great War Photographs: Constructing Myths of History and Photojornalism” in B. Brennen and H. Hardt. eds.  Picturing the Past: Media, History and Photography.  University of Illinois Press: 122-57.

    Griffin, M.  2004.  “Picturing America’s ‘War on Terrorism’ in Afghanistan and Iraq”.  Journalism 5, no. 4: 381-204.

    Griffiths, P. J.  1971.  Vietnam Inc.  Collier Books.

    Hariman, R. & J. L.  Lucaites.  2007.  No Caption Needed: Iconic Photographs, Public Culture and Liberal Democracy.  University of Chicago Press.

    Heller, J., ed.  1990.  War and Conflict: Selected Images form the National Archives, 1765-1970.  National Archives and Records Administration. 

    Kennedy, L.  2008.  “Securing Vision: Photography and US Foreign Policy”.  Media, Culture and Society 30, no. 3: 279-94.

    Kozol, W.  2004.  “Domesticating NATO’s War in Kosovo/a: (In)Visible Bodies and the Dilmma of Photojournalism”.  Meridians: Feminism, Race, Transnationalism 4, no. 2: 1-38.

    Meiselas, S.  1981.  Nicaragua: June 1978-July 1979.  Pantheon.

    Moeller, S.  1989.  Shooting War: Photography and the American Experience of Combat. Basic Books.

    Perlmutter, D.  1998.  Photojournalism and Foreign Policy: Icons of Outrage in International Crises.  Praeger.

    Richtin, F.  1991.  “The End of Photography as We have Known It” in P. Wombell. ed.  Photovideo: Photography in the Age of the Computer.  River Oram Press.

    Robertson, L.  2004.  “Images of War”.  American Journalism Review.  (October/November)

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    Bouvier, N.  1995.  Focus on Humanity: A Century of Photography.  Skira.

    Kalin, W., L. Muller & J. Wyttenbach.  2004.  The Face of Human Rights.  Lars Muller Publisher.

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    Campbell, D.  2002.  “Atrocity, Memory, Photography: Imaging the Concentration camps of Bosnia – The Case of ITN Versus Living Marxism, Part I.”  Journal of Human Rights 1, no. 2: 143-72.

    Keenan, T.  2004.  “Mobilizing Shame”. The South Atlantic Quarterly. 103, no. 2/3: 435-49

    Levi Strauss, D.  2003.  Between the Eyes: Essays on Photography and Politics.  Aperture.

    Malkki, L. 1996.  “Speechless Emissaries: Refugees, Huanitarianism, and Dehistoricization”.  Cultural Anthropology 11, no. 3: 377-404.

    Mauro, A.  2007.   My Brother’s Keeper: Documentary Photographers and Human Rights.  Contrasto.

    Reinhardt, M., H. Edwards & E. Duganne.  2007.  Beautiful Suffering: Photography and the Traffic in Pain.  University of Chicago Press.

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    Silwinski, S.  2006.  “The Childhood of Human Rights: Kodak on the Congo”.  Journal of Visual Culture 5, no. 4: 333-63.

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    Spelman, E. V.  1997.  Fruits of Sorrow: Framing Our Attention to Suffering.  Beacon.


    Azoulay, A.  2008.  The Civil Contract of Photography.  MIT Press.

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    Butler, J.  2007.  “Torture and the Ethics of Photography”.  Environment and Planning D: Society and Space 25: 51-66.

    Campbell, D.  2003.  “Salgado and the Sahel: Documentary Photography and the Imaging of Famine” in F. Debrix and C. Weber eds.  Rituals of Mediation .  University of Minnesota Press.

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    Howe, P.  2002.  “Morality Plays”. The Digital Journalist .

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    Linfield, S.  2004.  “Memuna, Almost Smiling”.  Dissent (Spring),

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    Sontag, S.  2004.  “Regarding the Torture of Others”.  The New York Times (23 May).

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    Barlet, O. 1996.  African Cinemas: Decolonising the Gaze.  Zed Books.

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    Allan, S. & B. Zelizer. eds. 2004.  Reporting War: Journalism in Wartime.  Routledge.

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    Arthur, M.  2007.  Faces of World War One: The Tragedy of the Great War in Words and Pictures.  Cassell Illustrated.

    Bolloch, J.  2004.  War Photography: From The Crimean War to World War One (Photography at the Musee D'Orsay).  Five Continents Editions. 

    Callister, S.  2007.  "'Broken gargoyles': The photographic representation of severely wounded New Zealand soldiers".  Social History of Medicine 20, is. 1: 111-130.

    Carmichael, J.  1989.  First World War Photographers.  Routledge.

    DiFolco, J.  2004.  "Terrain, landscapes of the Great War (Photography)".  History of Photography 28, is. 3: 261-265.

    Dixon, R.  2007.  "Spotting the fake: C.E.W. Bean, Frank Hurley and the making of the 1923 photographic record of the war".  History of Photography 31, is. 2: 165-179.

    Dixon, R.  2004.  "'Where are the dead?'  Spiritualism, photography and the Great War (Frank Hurley)".  History of Photography 28, is. 2: 247-260.

    Farish, M.  2001.  "Modern witnesses: foreign correspondents, geopolitical vision and the First World War".  Transactions of the Institute of British Geographers 26, no. 3: 273-287.

    Giles, G. J.  2010.  "The Other Front: Photography and Propaganda in the First World War".  German Studies Review 33, no. 1: 174-76.

    Holmes, R.  2008.  Shots from the Front: The British Soldier 1914-18.  Harper Press.

    Holmes, R.  2001.  Imperial War Museum: The First World War in Photographs.  Carlton Books Ltd.

    Jolly, M.  1999.  "Australian First World War Photography- Frank Hurley and Charles Bean".  History of Photography 23, is. 2: 141-48.

    Mahony, J.  2001.  From Home Front to the Front Line: Images of the Great War.  Charlestown, N.S.W.

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