Arnold Bax Collection
- Arnold Bax Collection
- Beranger Watercolours
- Maeve Binchy Papers
- Cartlann na gCanúintí
- Constantine Curran Collection
- Patrick Ferriter Manuscripts
- Eva Gore-Booth Papers
- Maurice Harmon Papers
- Irish Academy of Letters
- Irish Poetry Reading Archive
- Kavanagh Archive
- Mary Lavin Papers
- William Lover Papers
- Dubhaltach Mac Firbisigh
- Riobard Mac Góráin Collection
- Frank McGuinness Papers
- Tom MacIntyre Papers
- Gerard Manley Hopkins Letters
- Henry Morris Manuscripts
- Henry Morris Manuscripts: Additional Manuscripts
- Henry Morris Papers
- Henry Morris Correspondence
- Edna O'Brien Papers
- OBrien Lam Collection
- Eugene O’Curry Manuscripts
- Annie O'Donnell Letters
- John O’Donovan/William Reeves Correspondence
- Colm Ó Lochlainn Manuscripts
- Colm Ó Lochlainn Letters
- Seán Ó Riordáin
- Return of the Native
- UCD Additional Irish Manuscripts
- UCD Library Building Papers
- UCD Manuscripts
- Sture Ureland Collection
- Caroline Walsh Papers
- History of Irish Medicine and Popular Cures by William Wilde
- Yeats’ Festschrift Collection
- Our Collection of Modern Literary Papers
- Our Collection of Manuscripts
- A Gallery of Archival Images
Arnold Bax (1883–1953)
UCD Library Special Collections holds the Arnold Bax collection of musical manuscripts and proofs.
Reference code IE/ UCD/SC ms 26/1–6
Arnold Bax Collection.
Level of Description
Arnold Bax (1883 – 1953).
- Arnold Bax, composer and pianist, was born in London.
- He was very much influenced by W.B. Yeats. It was because of this relationship that Bax became interested in Ireland.
- He spent much of his early twenties in Glencolumcille, Co. Donegal. He learned Irish and wrote short stories and plays which were influenced by Celtic mythology and Irish tradition and were thematically much like the work of Yeats, AE and Synge.
- He published these works under the pseudonym Dermot O’Byrne. Bax was a close friend of the writer Padraig Colum and moved in the Dublin literary circles of that period.
- He was also friendly with many nationalists. His orchestral piece In Memoriam was in memory of Padraig Pearse.
- Bax’ reputation was built on his orchestral pieces that drew upon Irish themes and also on nature.
- Musically he was influenced by Wagner, Strauss, Mussorgsky, Glazunov, Debussy, Ravel, Sibelius and Stravinsky.
- Bax reached the pinnacle of his fame during the 1920s and early 1930s and was at one time regarded as the leading British symphonist.
Source of Acquisition
Donated to UCD by the pianist Harriet Cohen between 1955 and 1961.
Scope and Content
This collection consists of five musical manuscripts and one proof copy. The manuscripts are as follows:
- UCD ms 26/1 In memoriam (In memory of Patrick Pearse). At the head of ms: I gcuimhne ar bPadraig mac Piarais, holograph (9 August 1916).
- UCD ms 26/2 St. Patrick’s breastplate, holograph (December 1923).
- UCD ms 26/3 In memory of certain Irish patriots. A leader (AE), holograph (not dated); ms 26/3a – Postcard to Bax from Padraig Colum [March 1923?].
- UCD ms 26/4 - Corrected proofs of This worldes joie, holograph corrections (February 1923).
- UCD ms 26/5 Phantasy for viola and orchestra (orchestral score), bound (not dated).
- UCD ms 26/6 Four orchestral pieces, bound (not dated).
Access and Use
The materials in this collection are available by appointment only to research students, reaching staff and scholars. Research students should have a letter of recommendation from their supervisor.
Photocopying or digital photographing of this material is not permitted.
Find Information on Arnold Bax in the Dictionary of Irish Biography (UCD only).
Find Information on Arnold Bax in the Oxford Dictionary of National Biography (UCD only).