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Thresholds of Knowledge

Thresholds of Knowledge

Thresholds of knowledge are always negotiated, always in process, and humanities scholarship both contributes to, and analyses, the forms and values of ‘knowledge’ both synchronically and diachronically. The concept of thresholds allows us to examine not only the engagements and encounters between fields, forms and subjects of knowledge in interdisciplinary ways, but also to examine the ways in which knowledge itself is constituted and constructed within disciplines, forms and subjects.

Both etymologically and conceptually, the synergy of ‘Thresholds of Knowledge’ with the University's ‘Breaking Boundaries’ strategy is self-evident, and allows for rich and fruitful interdisciplinary exchanges. Our focus on the processes and agents of knowledge-making and authentication are more crucial than ever, as we tackle the ongoing challenge facing the humanities to make sense of the increasingly chaotic world in which we live.

The aim of this Research Theme is to give voice to the negotiations of what counts as knowledge and the kinds of innovations as well as accommodations that are made at these thresholds of knowledge. In that regard, we support UCD researchers to combine their expertise across disciplines in exploring new frontiers of knowledge.

For Thresholds of Knowledge Subthemes, click here.

Theme Leads:
(opens in a new window)Associate Professor Derval Conroy (School of Languages, Cultures and Linguistics)
(opens in a new window)Professor Jane Grogan (School of English, Drama and Film)
(opens in a new window)Dr Jeanne Riou (School of Languages, Cultures and Linguistics)

image credit: Hexagone, Nicolas Fève


Theme Members

Theme Member  School  Research Interests
(opens in a new window)Adam Kelly School of English, Drama and Film Literature, History of Ideas, Disciplinary Knowledges,
(opens in a new window)Angelique Ibanezaristondo School of Languages, Cultures and Linguistics gender violence, war, colonialism, West Africa, France
(opens in a new window)Benjamin Anderson School of Art History and Cultural Policy Cultural labour and organising
(opens in a new window)Danielle Clarke School of English, Drama and Film Early Modern Women's Writing
(opens in a new window)Diana Battaglia School of Languages, Cultures and Linguistics Identity, gender, memory, migration, crime fiction
(opens in a new window)Emer O Beirne School of Languages, Cultures and Linguistics French and Francophone narrative poetics
(opens in a new window)Emilie Pine School of English, Drama and Film Cultural Memory, Life Writing, Performance
(opens in a new window)Isabel Arcezelada School of History Refugeedom, Art, Colonialism
(opens in a new window)Jane Grogan School of English, Drama and Film Global Renaissance; literatures of encounter/reception
(opens in a new window)Joseph Twist School of Languages, Cultures and Linguistics minority culture, culture and politics, culture and religion
(opens in a new window)Katherine Brown School of Languages, Cultures and Linguistics Literature and visual culture
(opens in a new window)Katherine Fama School of English, Drama and Film architecture and narrative, singlehood studies, history of emotions, age studies
(opens in a new window)Manu Braganca School of Languages, Cultures and Linguistics memory studies; Europe; war; violence; multidisciplinary
(opens in a new window)Marco Bellardi School of Languages, Cultures and Linguistics Intermediality; narratology; cinema & literature; carceral narratives
Mathieu Bokestael School of English, Drama and Film Immunity, Biopolitics, Microbes, Selves, Literature
Matteo Leta School of Languages, Cultures and Linguistics Theatre; Otherness; Early Modern Studies; Migration
(opens in a new window)Matthew Thomson School of Music Music, sexuality, gender
(opens in a new window)Michael Brophy School of Languages, Cultures and Linguistics Contemporary French and francophone poetry and poetics, migrant writing, literary history
Michaela Kralova School of English, Drama and Film Contemporary Irish Literature: Translation
Niall Holohon School of English, Drama and Film Mindful Theatrical Silence
(opens in a new window)Porscha Fermanis School of English, Drama and Film global nineteenth century, settler colonialism, book and periodical history, Southeast Asian studies
(opens in a new window)Rebecca Stephenson School of English, Drama and Film Medieval Scientific Literature
(opens in a new window)Sandrine Peraldi School of Languages, Cultures and Linguistics Corpus Linguistics, Discourse Communities, Intercultural communication, English for specific purposes
(opens in a new window)Sarah Comyn School of English, Drama and Film Environmental Humanities & Creative Practice
(opens in a new window)Serena Laiena School of Languages, Cultures and Linguistics Early modern theatre', 'Commedia dell'arte', 'Women’s agency', 'Women workers in early modern Europe', 'Social function of theatre', 'Plurilingualism in theatre'
(opens in a new window)Siofra Pierse School of Languages, Cultures and Linguistics Early modern history of ideas: historiography; female narratives; doubt; melancholia; limits...
(opens in a new window)Sohee Ryuk School of History commodity, environment, conceptualizing space
Thinley Chodon School of English, Drama and Film Contemporary world & postcolonial literature
(opens in a new window)Ursula Fanning School of Languages, Cultures and Linguistics Women's writing, Italian 19th-20th c.
Viktoria Sinkorova School of Music Improvisation, co-creation, composition, collaborative practice
(opens in a new window)Wolfgang Marx School of Music Music & AI', 'Post-truth and Music'

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University College Dublin Belfield Dublin 4 Ireland
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